LEADER 00971nam--2200361---450- 001 990003086520203316 005 20080326103421.0 035 $a000308652 035 $aUSA01000308652 035 $a(ALEPH)000308652USA01 035 $a000308652 100 $a20080326d1956----km-y0itay50------ba 101 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aDaniel Webster reader$fselected and edited by Bertha M. Rothe 210 $aNew York$cOceana$dcopyr. 1956 215 $a255 p.$d18 cm 225 2 $aDocket series$v5 410 0$12001$aDocket series 454 1$12001 461 1$1001-------$12001 606 0 $aWebster, Daniel 700 1$aWEBSTER,$bDaniel$0480882 702 1$aROTHE,$bBertha 801 0$aIT$bsalbc$gISBD 912 $a990003086520203316 951 $aII.8.B.65$b1753 DSLL 959 $aBK 969 $aDSLL 979 $aDSLL$b90$c20080326$lUSA01$h1034 996 $aDaniel Webster reader$91019886 997 $aUNISA LEADER 01202nam0-2200385---450 001 990005584290203316 005 20190403124912.0 035 $a000558429 035 $aUSA01000558429 035 $a(ALEPH)000558429USA01 035 $a000558429 100 $a19981214d1984----|||y0itaa50------ba 101 $afre 102 $afr 105 $a0 00||| 200 1 $a<> fil perdu du "Criticon" de Baltasar Gracian$eobjective Port-Royal$eallégorie et composition "conceptiste"$fBenito Pelegrin 210 $aAix-en-Provence$cUniversité de Provence$d1984 215 $a305 p.$d21 cm. 225 2 $aEtudes hispaniques$v8 410 0$12001$aEtudes hispaniques$v8 606 $aGracian, Baltasar. 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[ie. 1604] 215 $a[2] p 300 $aCaption title. 300 $aCorrect imprint date suggested by STC (2nd ed.). 300 $a"February xij. in the seuenth yeere of his Maiesties Reigne of great Britaine, France and Ireland." 300 $aImperfect: tightly bound. 300 $aReproduction of original in the Queen's College (University of Oxford). Library. 330 $aeebo-0169 606 $aLent$xLaw and legislation$zEngland$vEarly works to 1800 606 $aFasts and feasts$xChurch of England$vEarly works to 1800 606 $aFasts and feasts$zEngland$vEarly works to 1800 606 $aMeat industry and trade$xLaw and legislation$zGreat Britain$vEarly works to 1800 607 $aGreat Britain$xHistory$yJames I, 1603-1625 608 $aBroadsides$zEngland$zLondon$y17th century.$2rbgenr 615 0$aLent$xLaw and legislation 615 0$aFasts and feasts$xChurch of England 615 0$aFasts and feasts 615 0$aMeat industry and trade$xLaw and legislation 701 $aJames$cKing of England,$f1566-1625.$01001019 801 0$bEBK 801 1$bEBK 906 $aBOOK 912 $a996383149003316 996 $aOrders conceiued by the lords of his Maiesties Priuie Counsell, and by his Highnesse speciall direction$92361365 997 $aUNISA LEADER 04144nam 2200637 450 001 9910794732103321 005 20240209223919.0 010 $a1-350-98862-6 010 $a0-85772-738-9 024 7 $a10.5040/9781350988620 035 $a(CKB)4340000000019064 035 $a(MiAaPQ)EBC4753460 035 $a(OCoLC)1139315242 035 $a(CaBNVSL)9781350988620 035 $a(CaBNVSL)mat50988620 035 $a(EXLCZ)994340000000019064 100 $a20191015e20192016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Euro-Western $ereframing gender, race and the 'other' in film /$fLee Broughton 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (274 pages) 225 1 $aCinema and Society 300 $aFocuses on previously unstudied Italian, German and British films. 311 $a1-350-21792-1 311 $a1-78453-389-0 320 $aIncludes bibliographical references (pages 240-251), filmography (page 239) and index. 327 $aPart 1. Indians in Europe : Indianthusiasm and the Representation of American Indians in West German Westerns. Chapter 1. West German Westerns: International Reception and Local Influences ; Chapter 2. The Representation of Indians in American Westerns ; Chapter 3. The Representation of Indians in West German Westerns -- Part 2. Emancipation all'Italiana : The Representation of African Americans in Italian Westerns. Chapter 4. Italian Westerns: International Reception and Local Influences ; Chapter 5. The Representation of Blacks in American Westerns ; Chapter 6. The Representation of Blacks in Italian Westerns -- Part 3. Funny Men and Strong Women : The Representation of Frontier Femmes in British Westerns. Chapter 7. British Westerns: International Reception and Local Influences ; Chapter 8. The Representation of Women in American Westerns ; Chapter 9. The Representation of Women in the British Western Parodies Produced Between 1939 and 1966 ; Chapter 10. The Representation of Women in British Westerns Produced During the Early 1970s -- Final Thoughts. 330 $a"The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West 'Others': Native Americans, African Americans and so-called 'strong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and 'Other', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre."--Publisher's website. 410 0$aCinema and society. 606 $aBlack people in motion pictures 606 $aGender identity in motion pictures 606 $aRace in motion pictures 606 $aWestern films$zEurope 606 $aWomen in motion pictures 606 $2Films, cinema 615 0$aBlack people in motion pictures. 615 0$aGender identity in motion pictures. 615 0$aRace in motion pictures. 615 0$aWestern films 615 0$aWomen in motion pictures. 676 $a791.43/6278 700 $aBroughton$b Lee$f1966-$01509195 712 02$aBloomsbury (Firm), 801 0$bYDXCP 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910794732103321 996 $aThe Euro-Western$93740878 997 $aUNINA