LEADER 01403nam 2200349 n 450 001 996383089703316 005 20221108104338.0 035 $a(CKB)1000000000591121 035 $a(EEBO)2240856331 035 $a(UnM)9928082300971 035 $a(UnM)99829313 035 $a(EXLCZ)991000000000591121 100 $a19950531d1677 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 03$aAn ansvver to Sir Thomas Manwaring's book, intituled, - An admonition to the reader of Sir Peter Leicester's books. Written by the same Sir Peter Leicester$b[electronic resource] 210 $a[London $cs.n.]$dPrinted in the year, 1677 215 $a[2], 44 p 300 $aPlace of publication from Wing. 300 $aA reply to: Mainwaring, Sir Thomas. An admonition to the reader of Sir Peter Leicester's books. 300 $aCaption title on p. 1 reads: An answer to Sir Thomas Manwarings books, &c. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 700 $aLeycester$b Peter$cSir,$f1614-1678.$01011895 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996383089703316 996 $aAn ansvver to Sir Thomas Manwaring's book, intituled, - An admonition to the reader of Sir Peter Leicester's books. Written by the same Sir Peter Leicester$92398387 997 $aUNISA LEADER 03217nam 2200745Ia 450 001 9910966166103321 005 20251116175037.0 010 $a1-85411-148-5 010 $a1-135-88894-9 010 $a1-135-88895-7 010 $a0-415-76258-8 010 $a1-280-04794-1 010 $a0-203-49485-7 024 7 $a10.4324/9780203494851 035 $a(CKB)1000000000248352 035 $a(EBL)182925 035 $a(OCoLC)252885035 035 $a(SSID)ssj0000290875 035 $a(PQKBManifestationID)11222152 035 $a(PQKBTitleCode)TC0000290875 035 $a(PQKBWorkID)10230673 035 $a(PQKB)10039451 035 $a(MiAaPQ)EBC182925 035 $a(Au-PeEL)EBL182925 035 $a(CaPaEBR)ebr10101293 035 $a(CaONFJC)MIL4794 035 $a(EXLCZ)991000000000248352 100 $a20030206d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCaptive audience $eprison and captivity in contemporary theater /$fedited by Thomas Fahy and Kimball King 205 $a1st ed. 210 $aNew York $cRoutledge$d2003 215 $a1 online resource (207 p.) 225 1 $aStudies in modern drama ;$v19 300 $aDescription based upon print version of record. 311 08$a0-203-60507-1 311 08$a0-415-96580-2 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT 327 $a~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: MASCULINITY AND ART IN TENNESSEE WILLIAMS'S NOTABOUT NIGHTINGALES; PHYSICAL PRISONS: NAOMI WALLACE'S DRAMA OF CAPTIVITY; NO EXIT AND WAITING FOR GODOT: PERFORMANCES IN CONTRAST; Contributors; Index 330 $aThis all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. 410 0$aStudies in modern drama ;$v19. 606 $aDrama$y20th century$xHistory and criticism 606 $aPrisons in literature 606 $aPrisoners in literature 606 $aImprisonment in literature 615 0$aDrama$xHistory and criticism. 615 0$aPrisons in literature. 615 0$aPrisoners in literature. 615 0$aImprisonment in literature. 676 $a809.2/9355 676 $a809.29355 701 $aFahy$b Thomas Richard$01593724 701 $aKing$b Kimball$01874259 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966166103321 996 $aCaptive audience$94484710 997 $aUNINA