LEADER 03755oam 22007094a 450 001 996379047303316 005 20240418071720.0 010 $a90-485-2755-4 024 7 $a10.1515/9789048527557 035 $a(CKB)3710000000455667 035 $a(EBL)3563351 035 $a(SSID)ssj0001557475 035 $a(PQKBManifestationID)16180757 035 $a(PQKBTitleCode)TC0001557475 035 $a(PQKBWorkID)14818159 035 $a(PQKB)10414009 035 $a(MiAaPQ)EBC3563351 035 $a(OCoLC)916529296 035 $a(DE-B1597)502634 035 $a(DE-B1597)9789048527557 035 $a(OCoLC)1112364138 035 $a(MdBmJHUP)muse76486 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35681 035 $a(EXLCZ)993710000000455667 100 $a20190816e20192015 uy 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFarocki/Godard$fVolker Pantenburg ; translated by Micheal Turnbull 205 $a1st ed. 210 $cAmsterdam University Press$d2015 210 1$aBaltimore, Maryland :$cProject Muse,$d2019 210 4$dİ2019 215 $a1 online resource (285 pages) $cillustrations 225 1 $aIKKM books ;$vvolume 25 225 1 $aFilm Culture in Transition 300 $a"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. 311 $a90-8964-891-7 320 $aIncludes bibliographical references (pages 263-275) and indexes. 327 $aIntroduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. 330 $aThis book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." 410 0$aSchriften des Internationalen Kollegs fu?r Kulturtechnikforschung und Medienphilosophie ;$vBd. 25. 410 0$aFilm culture in transition. 606 $aMotion pictures$xPhilosophy 610 $aessay film 610 $aharun farocki 610 $afilm theory 610 $ajean-luc godard 610 $aPhotography 615 0$aMotion pictures$xPhilosophy. 676 $a791 700 $aPantenburg$b Volker$f1973-$0772872 702 $aTurnbull$b Michael$f1959- 712 02$aInternationales Kolleg fu?r Kulturtechnikforschung und Medienphilosophie. 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996379047303316 996 $aFarocki$92222384 997 $aUNISA