LEADER 03523oam 22007214a 450 001 996379046003316 005 20240424225714.0 024 7 $a10.1515/9789048528370 035 $a(CKB)3710000000614405 035 $a(SSID)ssj0001678350 035 $a(PQKBManifestationID)16487448 035 $a(PQKBTitleCode)TC0001678350 035 $a(PQKBWorkID)15014777 035 $a(PQKB)11147265 035 $a(MiAaPQ)EBC4603084 035 $a(OCoLC)1125826028 035 $a(MdBmJHUP)muse76707 035 $a(DE-B1597)502497 035 $a(OCoLC)945783893 035 $a(DE-B1597)9789048528370 035 $a(Au-PeEL)EBL4603084 035 $a(CaPaEBR)ebr11237911 035 $a(CaONFJC)MIL942150 035 $a(OCoLC)945218633 035 $a(OCoLC)1048747523 035 $a(ScCtBLL)de527d7c-4942-4115-a5ed-ca814e2d45a8 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37932 035 $a(EXLCZ)993710000000614405 100 $a20151111h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHumour and Irony in Dutch Post-war Fiction Film$fPeter Verstraten 210 $aAmsterdam$cAmsterdam University Press$d2016 210 1$aAmsterdam, Netherlands :$cAmsterdam University Press,$d2016. 210 4$dİ2016 215 $a1 online resource (427 pages, 16 unnumbered pages of plates) $cillustrations 225 0 $aFraming film 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a90-8964-943-3 311 $a90-485-2837-2 320 $aIncludes bibliographical references, filmography and index. 327 $tFront matter --$tTABLE OF CONTENTS --$tPreface --$tIntroduction --$t1. Low-Class Comedies --$t2. Multicultural Comedies --$t3. From 'Kind-hearted' Comedies to Neurotic Romances --$t4. Deliberate Camp --$t5. Humour as an Aftermath Effect --$t6. Homosocial Jokes --$t7. From Ludic Humour to Cosmic Irony --$t8. From Insubordinate Playfulness to Subversive Irony --$t9. From Grotesque Caricature to Grotesque Satire --$tConclusion --$tNotes --$tBibliography --$tFilmography --$tPhoto Credits --$tIndex of Concepts --$tIndex of Titles --$tIndex of Names 330 $aDutch cinema, when discussed, is typically treated only in terms of pre-war films or documentaries, leaving post-war fictional film largely understudied. At the same time, a "Hollandse school," a term first coined in the 1980's, has developed through deadpan, ironic films like those of director and actor Alex van Warmerdam. Using seminal theories on humour and comedy, this book explores a number of Dutch films using the notion of categories, such as low-class comedies, neurotic romances, deliberate camp, and grotesque satire. With its original approach, this study makes surprising connections between Dutch films from various decades. 410 0$aFraming film (Amsterdam, Netherlands) 606 $aWit and humor in motion pictures 606 $aMotion pictures$zNetherlands$xHistory$y20th century 608 $aElectronic books. 610 $aMedia & Communications 610 $aIrony 610 $aNetherlands 615 0$aWit and humor in motion pictures. 615 0$aMotion pictures$xHistory 676 $a791.4309492 700 $aVerstraten$b Peter$0868174 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996379046003316 996 $aHumour and irony in Dutch post-war fiction film$91938056 997 $aUNISA