LEADER 03840oam 22008054a 450 001 996379045403316 005 20210915045027.0 010 $a90-485-2411-3 024 7 $a10.1515/9789048524112 035 $a(CKB)3710000000930219 035 $a(MiAaPQ)EBC5507867 035 $a(OCoLC)1163594952 035 $a(MdBmJHUP)muse76729 035 $a(DE-B1597)503201 035 $a(OCoLC)972017701 035 $a(DE-B1597)9789048524112 035 $a(EXLCZ)993710000000930219 100 $a20160617h20172017 uy 0 101 0 $aeng 135 $aurmn#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPainting and Publishing as Cultural Industries$fClaartje Rasterhoff 210 1$aAmsterdam : $cAmsterdam University Press, $d[2017] 210 4$dİ2017 215 $a1 online resource (344 pages) $cillustrations 225 0 $aAmsterdam studies in the Dutch golden age 311 $a90-8964-702-3 320 $aIncludes bibliographical references (pages 307-336) and index. 327 $aIntroduction -- Part I. Publishing -- 1580-1610: window of opportunity -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Part II. Painting -- 1580-1610: a period of transition -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Conclusion. 330 $aThe Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom. 410 0$aAmsterdam studies in the Dutch golden age. 606 $aWirtschaft$2gnd 606 $aMalerei$2gnd 606 $aBuchdruck$2gnd 606 $aBranche$2gnd 606 $aPublishers and publishing$2fast$3(OCoLC)fst01083463 606 $aPainting$2fast$3(OCoLC)fst01050567 606 $aArt$xEconomic aspects$2fast$3(OCoLC)fst00815231 606 $aArt and industry$2fast$3(OCoLC)fst00815398 606 $aPainting$zNetherlands$xHistory 606 $aPublishers and publishing$zNetherlands$xHistory 606 $aArt and industry$zNetherlands$xHistory 606 $aArt$xEconomic aspects$zNetherlands$xHistory 607 $aNiederlande$2gnd 607 $aNetherlands$2fast 608 $aHistory. 608 $aElectronic books. 610 $aDutch Golden Age - Economic History - Art Market - Publishing - Economic Geography. 615 0$aWirtschaft 615 0$aMalerei 615 0$aBuchdruck 615 0$aBranche 615 0$aPublishers and publishing. 615 0$aPainting. 615 0$aArt$xEconomic aspects. 615 0$aArt and industry. 615 0$aPainting$xHistory. 615 0$aPublishers and publishing$xHistory. 615 0$aArt and industry$xHistory. 615 0$aArt$xEconomic aspects$xHistory. 676 $a[E] 700 $aRasterhoff$b Claartje$0953139 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996379045403316 996 $aPainting and Publishing as Cultural Industries$92154798 997 $aUNISA LEADER 01862nam 2200409 n 450 001 996391225603316 005 20200818225314.0 035 $a(CKB)4940000000106042 035 $a(EEBO)2240900614 035 $a(UnM)99857630e 035 $a(UnM)99857630 035 $a(EXLCZ)994940000000106042 100 $a19930510d1610 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aNevves from Virginia$b[electronic resource] $eThe lost flocke triumphant. With the happy arriuall of that famous and worthy knight Sr. Thomas Gates: and the well reputed & valiant captaine Mr. Christopher Newporte, and others, into England. With the maner of their distresse in the Iland of Deuils (otherwise called Bermoothawes) where they remayned 42. weekes, & builded two pynaces, in which they returned into Virginia. By R. Rich, Gent. one of the voyage 210 $aLondon $cPrinted by Edw: Allde, and are to be solde by Iohn Wright at Christ-Church dore$d1610 215 $a[16] p. $cill. (woodcut) 300 $aIn verse. 300 $aSignatures: A-B?. 300 $aThe first leaf bears signature-mark "A" and a woodcut of a ship; the last leaf is blank. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 607 $aVirginia$xDescription and travel$vEarly works to 1800 607 $aVirginia$xHistory$yColonial period, ca. 1600-1775$vEarly works to 1800 607 $aBermuda Islands$xDescription and travel$vEarly works to 1800 607 $aBermuda Islands$xHistory$vEarly works to 1800 700 $aRich$b Richard$ffl. 1610.$01018837 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bUk-ES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996391225603316 996 $aNevves from Virginia$92398550 997 $aUNISA LEADER 00978nam a2200265 i 4500 001 991001141049707536 005 20020507184016.0 008 990604s1982 it ||| | ita 035 $ab10806520-39ule_inst 035 $aLE01307694$9ExL 040 $aDip.to Matematica$beng 082 0 $a519.7 084 $aAMS 90C 100 1 $aGiannessi, Franco$040943 245 10$aMetodi matematici della programmazione :$bproblemi lineari e non lineari /$cF. Giannessi 260 $aBologna :$bPitagora,$c1982 300 $aviii, 616 p. ;$c24 cm. 490 0 $aQuaderni dell'Unione matematica italiana ;$v23 650 4$aMathematical programming 907 $a.b10806520$b23-02-17$c28-06-02 912 $a991001141049707536 945 $aLE013 90C GIA11 (1982)$g1$i2013000116433$lle013$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i10911339$z28-06-02 996 $aMetodi matematici della programmazione$9347825 997 $aUNISALENTO 998 $ale013$b01-01-99$cm$da $e-$fita$git $h0$i1