LEADER 02759nam 22004213u 450 001 9910453273203321 005 20210114014942.0 010 $a1-78310-323-X 035 $a(CKB)2550000001200772 035 $a(EBL)1597645 035 $a(MiAaPQ)EBC1597645 035 $a(Au-PeEL)EBL1597645 035 $a(OCoLC)868491487 035 $a(EXLCZ)992550000001200772 100 $a20140120d2013|||| u|| | 101 0 $ahun 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aKlimt$b[electronic resource] 210 $aNew York $cParkstone International$d2013 215 $a1 online resource (135 p.) 300 $aDescription based upon print version of record. 311 $a963-09-6112-1 327 $aAZ ELSO? LE?PE?SEK; A SECESSION; A BOTRA?NYOK; A SZA?ZADFORDULO?S BE?CS; BARA?TOK E?S SZERETO?K; RAJZOK E?S VA?ZLATOK; ELO?KELO? HO?LGYEK PORTRE?I; FORMA?K E?S A MEZTELENSE?G; KLIMT O?RO?KSE?GE; Gustav Klimt ro?vid e?letrajza; Ke?pek jegyze?ke 330 $aAz e-ko?nyv a Kossuth Kiado? a?ltal nyomtata?sban megjelentetett nagysikeru? Vila?ghi?res festo?k ci?mu? sorozat azonos ci?mu? ko?tete?nek szo?veganyaga?t tartalmazza, az illusztra?cio?k ne?lku?l. "Hogy mely te?ma?k foglalkoztatnak a feste?szetben? Az o?narcke?pke?szi?te?s semmike?ppen. A to?bbi ember, e?s ko?zo?ttu?k is fo?leg a no?k..." - vallotta Gustav Klimt, akinek ke?pei ege?szen saja?tos, vara?zslatos hangulatot teremtenek. E me?lyse?gesen e?rze?ki, erotikus festme?nyek az e?lvezetek e?s a fe?nyu?ze?s vila?ga?ba ragadja?k el szemle?lo?ju?ket, ta?vol a posztmodern vila?g ridegse?ge?to?l, egy vonzo?, idealiza?lt ke?pzeletbeli ta?jra. A ko?rnyezetre szinte semmilyen jel nem utal, hogy aka?r csak egy pillanatra is kizo?kkentsen bennu?nket a festo? a?ltal teremtett arc- e?s ta?jke?pek, allego?ria?k hermetikusan za?rt vila?ga?bo?l. A keleti civiliza?cio?k ihlette szi?nek e?s forma?k - Klimt a japa?n, az o?kori egyiptomi e?s a biza?nckori Ravenna mu?ve?szete?nek rajongo?ja volt - egy ke?tdimenzio?s te?rbe a?gyazo?dnak, amely mo?go?tt nincsenek perspektivikus ta?vlatok. E stiliza?lt, za?rt e?s megbonthatatlan egyse?get le?trehozo? ke?pi vila?g ko?zpontja?ban valo?ban a no?i test csoda?ja a?ll a maga e?rze?kise?ge?ben e?s szentse?ge?ben. 608 $aElectronic books. 676 $a709.2 700 $aBade$b Patrick$0854575 701 $aBa?rdos$b Miklo?s$01028618 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910453273203321 996 $aKlimt$92492238 997 $aUNINA LEADER 03662oam 22006254a 450 001 996379043903316 005 20210915045012.0 010 $a90-485-2527-6 024 7 $a10.1515/9789048525270 035 $a(CKB)3840000000350085 035 $a(MiAaPQ)EBC5219275 035 $a(DE-B1597)502641 035 $a(OCoLC)1020691680 035 $a(DE-B1597)9789048525270 035 $a(OCoLC)1111314142 035 $a(MdBmJHUP)muse76538 035 $a(EXLCZ)993840000000350085 100 $a20170725h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aTechnology and Film Scholarship$eExperience, Study, Theory /$fedited by Santiago Hidalgo ; foreword by Andre Gaudreault 210 1$aAmsterdam : $cAmsterdam University Press, $d[2017] 210 4$dİ2017 215 $a1 online resource (264 pages) 225 0 $aFilm theory in media history 311 $a90-8964-754-6 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note:$gSection I$tExperience --$g1.$tWhen Did Cinema Become Cinema? Technology, History, and the Moving Pictures /$rCharles Musser --$g2.$tExhibition Practices in Transition: Spectators, Audiences, and Projectors /$rJan Olsson --$g3.$tReel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /$rAndre Habib --$g4.$tWalter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /$rDana Cooley --$gSection II$tStudy --$g5.$tHitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /$rDavid Colangelo --$g6.$tFilm Analysis and Statistics: A Field Report /$rCharles O'Brien --$g7.$tA `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /$rPaul Moore --$gSection III$tTheory --$g8.$tCine-Graphism: A New Approach to the Evolution of Film Language through Technology /$rTom Gunning --$g9.$tCan We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /$rVinzenz Hediger --$g10.$tOn Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /$rBenoit Turquety. 330 8 $a"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website 410 0$aFilm theory in media history. 606 $aPerforming Arts$2ukslc 606 $aFilmtheorie$2gnd 606 $aTechnology in motion pictures$2fast$3(OCoLC)fst01145293 606 $aPerforming Arts$2eflch 606 $aTechnology in motion pictures$xHistory 608 $aHistory. 608 $aElectronic books. 610 $aTechnology, Film Experience, Film Study, Film Historiography, Film Scholarship. 615 0$aPerforming Arts. 615 0$aFilmtheorie 615 0$aTechnology in motion pictures. 615 0$aPerforming Arts. 615 0$aTechnology in motion pictures$xHistory. 676 $a791 702 $aGaudreault$b Andre 702 $aHidalgo$b Santiago 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996379043903316 996 $aTechnology and Film Scholarship$92155618 997 $aUNISA