LEADER 03731oam 22008174a 450 001 996379042903316 005 20240424225752.0 010 $a90-485-3400-3 024 7 $a10.1515/9789048534005 035 $a(CKB)4100000006669983 035 $a(MiAaPQ)EBC5510182 035 $a(WaSeSS)IndRDA00120667 035 $a(DE-B1597)513227 035 $a(OCoLC)1053807866 035 $a(DE-B1597)9789048534005 035 $a(OCoLC)1104399995 035 $a(MdBmJHUP)muse76583 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37682 035 $a(EXLCZ)994100000006669983 100 $a20180910h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCinematic Vitalism$fInga Pollmann 210 $aAmsterdam$cAmsterdam University Press$d2017 210 1$aAmsterdam :$cAmsterdam University Press,$d[2017] 210 4$dİ2017 215 $a1 online resource (295 pages) $cillustrations 225 0 $aFilm theory in media history 311 $a94-6298-365-8 320 $aIncludes bibliographical references, filmography and indexes. 327 $tFrontmatter --$tTable of Contents --$tAcknowledgments --$tIntroduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism --$t1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein --$t2. New Worlds: Uexküll's Umwelt Theory at the Movies --$t3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film --$t4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory --$tConclusion: Vital Media --$tBibliography --$tIndex of Films --$tIndex of Names --$tIndex of Subjects 330 8 $aThis book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theatre. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film. 410 0$aFilm theory in media history. 606 $aVitalismus$2gnd$3(DE-588)4188439-5 606 $aFilmtheorie$2gnd$3(DE-588)4071216-3 606 $aFilm$2gnd$3(DE-588)4017102-4 606 $aMotion pictures$xPhilosophy$2fast$3(OCoLC)fst01027348 606 $aVitalism in motion pictures$2fast$3(OCoLC)fst02005885 606 $aPERFORMING ARTS / General$2bisacsh 606 $aPERFORMING ARTS / Reference$2bisacsh 606 $aVitalism$xIn motion pictures 606 $aMotion pictures$xPhilosophy 607 $aFrankreich$2gnd 607 $aDeutschland$2gnd 608 $aElectronic books. 610 $aFilm Theory. 610 $aFilm and Modernity. 610 $aFilm and Philosophy. 610 $aFilm and Science. 610 $aGerman Cinema. 610 $aVitalism. 615 0$aVitalismus 615 0$aFilmtheorie 615 0$aFilm 615 0$aMotion pictures$xPhilosophy. 615 0$aVitalism in motion pictures. 615 0$aPERFORMING ARTS / General 615 0$aPERFORMING ARTS / Reference 615 0$aVitalism$xIn motion pictures. 615 0$aMotion pictures$xPhilosophy. 676 $a791 700 $aPollmann$b Inga$0871829 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996379042903316 996 $aCinematic Vitalism$91946259 997 $aUNISA