LEADER 04113nam 2200541 450 001 996379039203316 005 20200520144314.0 010 $a90-485-2480-6 024 7 $a10.1515/9789048524808 035 $a(CKB)4340000000192346 035 $a(MiAaPQ)EBC4924507 035 $a(DE-B1597)502850 035 $a(OCoLC)1058464761 035 $a(DE-B1597)9789048524808 035 $a(OCoLC)1135855913 035 $a(MdBmJHUP)muse76723 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28901 035 $a(Au-PeEL)EBL4924507 035 $a(CaPaEBR)ebr11417208 035 $a(OCoLC)994883244 035 $a(EXLCZ)994340000000192346 100 $a20170819h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aMuseums in a digital culture $ehow art and heritage become meaningful /$fedited by Chiel van den Akker and Susan Legene 210 1$aAmsterdam, [Netherlands] :$cAmsterdam University Press,$d[2016] 210 4$d[2016] 215 $a1 online resource (142 pages) $cillustrations, photographs 300 $aIncludes index. 311 $a90-8964-661-2 327 $aCover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Lege?ne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhe? -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephe?me?re (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- Screenshot from the Digital Monument to the Jewish Community. 330 $aThe experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage? 606 $aMuseums$xInformation technology 615 0$aMuseums$xInformation technology. 676 $a069.0285 686 $a20.12$2bcl 702 $aAkker$b Chiel van den$f1974- 702 $aLegene$b Susan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996379039203316 996 $aMuseums in a digital culture$93659367 997 $aUNISA