LEADER 03668nam 22006615 450 001 996338049803316 005 20190708092533.0 010 $a0-691-60346-4 010 $a0-691-63279-0 010 $a0-691-02710-2 010 $a1-4008-6377-5 024 7 $a10.1515/9781400863778 035 $a(CKB)2550000001333236 035 $a(SSID)ssj0001385169 035 $a(PQKBManifestationID)11994398 035 $a(PQKBTitleCode)TC0001385169 035 $a(PQKBWorkID)11345830 035 $a(PQKB)10545587 035 $a(MiAaPQ)EBC3030723 035 $a(OCoLC)889254448 035 $a(MdBmJHUP)muse40419 035 $a(DE-B1597)447955 035 $a(OCoLC)1013936189 035 $a(OCoLC)922697204 035 $a(DE-B1597)9781400863778 035 $a(PPN)259896357 035 $a(EXLCZ)992550000001333236 100 $a20190708d2014 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic in the Theater $eEssays on Verdi and Other Composers /$fPierluigi Petrobelli 205 $aCourse Book 210 1$aPrinceton, NJ : $cPrinceton University Press, $d[2014] 210 4$d©2014 215 $a1 online resource (203 pages) $cillustrations 225 0 $aPrinceton Studies in Opera ;$v25 300 $aTranslated from Italian. 311 $a0-691-09134-X 311 $a1-306-98474-2 320 $aIncludes bibliographical references. 327 $t Frontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tA NOTE ON ITALIAN PROSODY -- $tIntroduction -- $tCHAPTER 1. FROM ROSSINI'S MOSÉ TO VERDI ' S NABUCCO -- $tCHAPTER 2. VERDI AND DON GIOVANNI: ON THE OPENING SCENE OF RIGOLETTO -- $tCHAPTER 3. REMARKS ON VERDI'S COMPOSING PROCESS -- $tCHAPTER 4. THOUGHTS FOR ALZIRA -- $tCHAPTER 5. TOWARD AN EXPLANATION OF THE DRAMATIC STRUCTURE OF IL TROVATORE -- $tCHAPTER 6. MUSIC IN THE THEATER (APROPOS OF AIDA, ACT III) -- $tCHAPTER 7. MORE ON THE THREE "SYSTEMS": THE FIRST ACT OF "LA FORZA DEL DESTINO" -- $tCHAPTER 8. VERDI' S MUSICAL THOUGHT: AN EXAMPLE FROM MACBETH -- $tCHAPTER 9. THE MUSICO-DRAMATIC CONCEPTION OF GLUCK'S ALCESTE (1767) -- $tCHAPTER 10. NOTES ON BELLINI'S POETICS: APROPOS OF "I PURITANI" -- $tCHAPTER 11. BELLINI AND PAISIELLO: FURTHER DOCUMENTS ON THE BIRTH OF "I PURITANI" 330 $aWell-known for leading audiences to a new appreciation of Verdi as a subtle and elaborate musical thinker, Pierluigi Petrobelli here turns his attention to the intriguing question of how musical theater works. In this collection of lively, penetrating essays, Petrobelli analyzes specific operas, mainly by Verdi, in terms of historical context, musical organization, and dramaturgical conventions.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 410 0$aPrinceton studies in opera. 606 $aOpera 608 $aElectronic books. 615 0$aOpera. 676 $a782.1 700 $aPetrobelli$b Pierluigi, $0156217 701 $aParker$b Roger$0911676 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996338049803316 996 $aMusic in the Theater$92041527 997 $aUNISA