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035   $a(MdBmJHUP)muse72973
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035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26343
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aHoly Hip Hop in the City of Angels$fChristina Zanfagna
210   $cUniversity of California Press$d2017
210  1$aOakland, California :$cUniversity of California Press,$d2017.
210  4$dİ2017
215   $a1 online resource (206 pages) $cdigital, PDF file(s)
225 0 $aMusic of the african diaspora ;$v19
300   $aBased on the author's Ph.D. thesis: University of California, Los Angeles  2010, published with title Holy hip hop in the City of Angels : music, urban space, and the politics of conversion.
311   $a0-520-29620-6 
320   $aIncludes bibliographical references (pages 177-188), discography, and index. and index.
327   $aIntroduction: Earthquake music and the politics of conversion -- "Now I bang for Christ": rites/rights of passage -- Hip hop church L.A.: shifting grounds in Inglewood -- Beyond Babylon: geographies of conversion -- The evangelical hustle: selling music, saving souls -- Roads to Zion: hip hop's search for the city yet to come -- Epilogue: Aftershocks.
330   $a"In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop--a movement merging Christianity and hip hop culture--to 'save' themselves and the city. Converting street corners to airborne churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland's fractured terrains into musical Zions. Armed with beats, rhymes, and Bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna's fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences."--Provided by publisher.
410  0$aMusic of the African diaspora ;$v19.
606   $aRap (Music)$zCalifornia$zLos Angeles$xHistory and criticism
606   $aRap (Music)$xReligious aspects$xChristianity
608   $aElectronic books. 
610   $a1990s.
610   $aafrican american culture.
610   $aanthems of praise.
610   $abeats.
610   $abibles.
610   $ablack lives matter.
610   $ablack los angeles.
610   $achristianity.
610   $achurches.
610   $aearthquakes.
610   $aeconomic insecurity.
610   $aenvironmental eruption.
610   $aethnomusicology.
610   $afloods.
610   $agangsta rap.
610   $agospel rap.
610   $ahip hop culture.
610   $ahip hop.
610   $alos angeles.
610   $alutheran.
610   $amusic.
610   $amusical philosophy and social aspects.
610   $arap music.
610   $arhymes.
610   $ariots.
610   $asouthland.
610   $aspiritual realities.
615  0$aRap (Music)$xHistory and criticism.
615  0$aRap (Music)$xReligious aspects$xChristianity.
676   $a306.4/842490979494
700   $aZanfagna$b Christina$f1980-$0925015
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a996333146903316
996   $aHoly hip hop in the City of Angels$92076150
997   $aUNISA