LEADER 01640oam 2200445 a 450 001 9910691841803321 005 20040121140242.0 035 $a(CKB)5470000002348987 035 $a(OCoLC)51496836 035 9 $aocm51496836 035 $a(OCoLC)995470000002348987 035 $a(EXLCZ)995470000002348987 100 $a20030122d2002 ua 0 101 0 $aeng 135 $aurmnu||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPetroleum geology and total petroleum systems of the Widyan Basin and interior platform of Saudi Arabia and Iraq$b[electronic resource] /$fby James E. Fox and Thomas S. Ahlbrandt 205 $aVersion 1.0. 210 1$aDenver, Colo. :$cU.S. Dept. of the Interior, U.S. Geological Survey,$d2002. 225 1 $aU.S. Geological Survey bulletin ;$v2202-E 300 $aTitle from title screen (viewed on Jan. 14, 2004). 320 $aIncludes bibliographical references. 606 $aPetroleum$xGeology$zSaudi Arabia 606 $aPetroleum$xGeology$zIraq 606 $aPetroleum$xGeology$zWidyan Basin (Iraq and Saudi Arabia) 615 0$aPetroleum$xGeology 615 0$aPetroleum$xGeology 615 0$aPetroleum$xGeology 700 $aFox$b J. E$g(James Ellison),$f1943-$01382709 701 $aAhlbrandt$b Thomas S$01382710 712 02$aGeological Survey (U.S.) 801 0$bGIS 801 1$bGIS 801 2$bGPO 906 $aBOOK 912 $a9910691841803321 996 $aPetroleum geology and total petroleum systems of the Widyan Basin and interior platform of Saudi Arabia and Iraq$93426610 997 $aUNINA LEADER 03610nam 2200529 450 001 996331942703316 005 20231110233200.0 010 $a3-11-042206-9 024 7 $a10.1515/9783110422061 035 $a(CKB)3850000000001144 035 $a(DE-B1597)451389 035 $a(DE-B1597)9783110422061 035 $a(MiAaPQ)EBC4943478 035 $a(OCoLC)1253313592 035 $a(Au-PeEL)EBL4943478 035 $a(EXLCZ)993850000000001144 100 $a20210907d2021 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerfect harmony and melting strains $etransformations of music in early modern culture between sensibility and abstraction /$fedited by Cornelia Wilde, Wolfram Keller 210 1$aBerlin, Germany ;$aBoston, Massachusetts :$cWalter de Gruyter GmbH,$d[2021] 210 4$d©2021 215 $a1 online resource (156 p.) 225 0 $aTransformationen der Antike ;$v34 311 $a3-11-042637-4 327 $tFrontmatter --$tContents --$tIntroduction: Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture Between Sensibility and Abstraction --$tDisharmonic Spheres: Metapoetic Noise in Geoffrey Chaucer's Parliament of Fowls --$tIn Search of the Word: Speech-like Chants and Confessional Identity in Counter-Reformation Mission to England --$tPatrizi's and Mersenne's Critiques of Ficino's Interpretation of the Harmony of the Spheres --$tDivine Harmony, Demonic Afflictions, and Bodily Humours: Two Tales of Musical Healing in Early Modern England --$tThe Powers and Effects of Music: English Theories from the Renaissance to the Enlightenment --$t»Cecilia's Name does all our Numbers grace«: Musico-poetics in Joseph Addison's St Cecilia's Day Odes --$tIndex of Names 330 $aPerfect Harmony and Melting Strains assembles interdisciplinary essays investigating concepts of harmony during a transitional period, in which the Pythagorean notion of a harmoniously ordered cosmos competed with and was transformed by new theories about sound - and new ways of conceptualizing the world. From the perspectives of philosophy, literary scholarship, and musicology, the contributions consider music's ambivalent position between mathematical abstraction and sensibility, between the metaphysics of harmony and the physics of sound. Essays examine the late medieval and early modern history of ideas concerning the nature of music and cosmic harmony, and trace their transformations in early modern musico-literary discourses. Within this framework, essays further offer original readings of important philosophical, literary, and musicological works. This interdisciplinary volume brings into focus the transformation of a predominant Renaissance worldview and of music's scientific, theological, literary, as well as cultural conceptions and functions in the early modern period, and will be of interest to scholars of the classics, philosophy, musicology, as well as literary and cultural studies. 410 0$aTransformationen der Antike 606 $aHarmony$xHistory 608 $aHistory.$2fast 610 $aPythagoreanism. 610 $aReception of anitquity. 610 $amusic theory. 615 0$aHarmony$xHistory. 676 $a781.25 702 $aKeller$b Wolfram R. 702 $aWilde$b Cornelia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996331942703316 996 $aPerfect harmony and melting strains$92570602 997 $aUNISA LEADER 01172nam0 22002651i 450 001 UON00234432 005 20231205103517.690 100 $a20030730e19931896 |0itac50 ba 101 $aeng 102 $aUS 105 $a|||| 1|||| 200 1 $aˆThe ‰Causes of the Corruption of the Traditional Text of the Holy Gospels$fby John William Burgon$garranged, completed and ed. by Edward Miller 205 $aJacksonville$bIll. : Hertzberg 210 $axiii$d290 p 215 $aRiproduzione in fotocopia dell'Edizione: London$cGeorge Bell and Sons, 1896 606 $aBIBBIA$xNuovo Testamento$xVangeli$3UONC021826$2FI 676 $a226$cVANGELI E ATTI DEGLI APOSTOLI$v21 700 1$aBURGON$bJohn William$3UONV142048$0687816 702 1$aMILLER$bEdward$3UONV142049 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00234432 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI BIBBIA NT 0014 $eSI EO 35047 5 0014 996 $aCauses of the Corruption of the Traditional Text of the Holy Gospels$91232696 997 $aUNIOR