LEADER 00987cam0-22003251i-450- 001 990005263680403321 005 20121113105436.0 035 $a000526368 035 $aFED01000526368 035 $a(Aleph)000526368FED01 035 $a000526368 100 $a19990604e19621852km-y0itay50------ba 101 0 $ager 102 $aDE 105 $ay-------001yy 200 1 $a<>Epochen der Kirchlichen Geschichtschreibung$fvon F. Ch. Baur 210 $aHildesheim$cG. Olms$d1962 215 $aviii, 269 p.$d21 cm 324 $aRipr. dell'ed.: Tubingen : Ludwig Friedrich Fues, 1852. 451 0$1001000422151 610 0 $aReligione comparata$aTeologi tedeschi 676 $a270 700 1$aBaur,$bFerdinand Christian$f<1792-1860>$0151884 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005263680403321 952 $a270 BAU 2$bANT. G.R. 1486$fFLFBC 959 $aFLFBC 996 $aEpochen der Kirchlichen Geschichtschreibung$9539714 997 $aUNINA LEADER 02793 am 22006493u 450 001 996328044203316 005 20200520144314.0 010 $a1-61811-695-9 010 $a1-61811-196-5 024 7 $a10.1515/9781618116956 035 $a(CKB)2560000000103333 035 $a(EBL)3110506 035 $a(SSID)ssj0001053354 035 $a(PQKBManifestationID)11557920 035 $a(PQKBTitleCode)TC0001053354 035 $a(PQKBWorkID)11113738 035 $a(PQKB)10459066 035 $a(DE-B1597)540986 035 $a(OCoLC)1135565366 035 $a(DE-B1597)9781618116956 035 $a(Au-PeEL)EBL3110506 035 $a(CaPaEBR)ebr10716789 035 $a(CaONFJC)MIL530401 035 $a(OCoLC)849946368 035 $a(ScCtBLL)c8d4443f-ccd8-43fd-9401-f6d3712cd7b1 035 $a(MiAaPQ)EBC3110506 035 $a(EXLCZ)992560000000103333 100 $a20130612d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aShapes of apocalypse$b[electronic resource] $earts and philosophy in Slavic thought /$fedited by Andrea Oppo 210 $aBoston $cAcademic Studies Press$d2013 215 $a1 online resource (290 p.) 225 0 $aMyths and taboos in Russian culture 300 $aDescription based upon print version of record. 311 $a1-61811-174-4 320 $aIncludes bibliographical references and index. 327 $apt. 1. Philosophy -- pt. 2. Literature -- pt. 3. Music and visual arts. 330 $aThis collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of "end of history" and "end of present time" are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner. 410 0$aMyths and Taboos in Russian Culture 606 $aPhilosophy$zSlavic countries 606 $aArt, Slavic 615 0$aPhilosophy 615 0$aArt, Slavic. 676 $a704.9482 701 $aOppo$b Andrea$0871820 712 02$aNational Endowment for the Humanities and The Andrew W. Mellon Foundation Humanities Open Book Program$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996328044203316 996 $aShapes of apocalypse$91946243 997 $aUNISA