LEADER 01223nam a2200265 i 4500 001 991000016219707536 005 20020509160540.0 008 941220s1989 it ||| | ita 035 $ab11293615-39ule_inst 035 $aPARLA199708$9ExL 040 $aISUFI - Sett. Patrimonio Culturale$bita 245 12$aI racconti di Clio :$btecniche narrative della storiografia :$batti del convegno di studi :$bArezzo, 6-8 novembre 1986 260 $aPisa :$bNistri-Lischi,$cc1989 300 $a286 p. ;$c21 cm. 440 3$aLa porta di Corno ;$v6 500 $aIn testa al front.: I nomi degli autori. 650 4$aStoriografia 907 $a.b11293615$b03-07-13$c01-07-02 912 $a991000016219707536 945 $aLE016 LET 10 718 $g1$i2016000065268$lle016$nFondo Nenci$on$pE15.00$q-$rn$so $t0$u0$v0$w0$x0$y.i14345171$z15-01-07 945 $aLE016 LET 10 718 BIS $g1$i2016000065688$lle016$nFondo Nenci$on$pE15.00$q-$rn$so $t0$u0$v0$w0$x0$y.i14345195$z15-01-07 945 $aLE007 00 CSN 01.01$g1$i2015000094407$lle007$n2013 n.c.$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11460106$z01-07-02 996 $aRacconti di Clio$9867047 997 $aUNISALENTO 998 $ale016$ale007$b01-01-94$cm$da $e-$fita$git $h2$i3 LEADER 03441 am 22006973u 450 001 996328041103316 005 20210430205118.0 010 $a1-61811-681-9 010 $a1-61811-483-2 024 7 $a10.1515/9781618116819 035 $a(CKB)3710000000616190 035 $a(EBL)4454569 035 $a(DE-B1597)540836 035 $a(OCoLC)1135586924 035 $a(DE-B1597)9781618116819 035 $a(Au-PeEL)EBL4454569 035 $a(CaPaEBR)ebr11205035 035 $a(CaONFJC)MIL907345 035 $a(OCoLC)950904137 035 $a(ScCtBLL)a0737910-91af-4a5d-9776-aaee0037d284 035 $a(MiAaPQ)EBC4454569 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31573 035 $a(EXLCZ)993710000000616190 100 $a20160528d2016 uy| 0 101 0 $aeng 135 $aur|nu---|u||u 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFirst words $eon Dostoevsky's introductions /$fLewis Bagby 210 $aBoston, MA$cAcademic Studies Press$d2015 210 1$aBoston :$cAcademic Studies Press,$d2016. 215 $a1 online resource (220 p.) 225 1 $aThe unknown nineteenth century 300 $aDescription based upon print version of record. 311 $a1-61811-482-4 320 $aIncludes bibliographical references (pages 171-192) and index. 327 $tFront matter --$tTable of Contents --$tNote on Transliteration --$tAcknowledgments --$tIntroduction --$tCHAPTER 1. Model Prefaces from Russian Literature --$tCHAPTER TWO. Dostoevsky's Initial Post- Siberian Work --$tCHAPTER THREE. Playing with Authorial Identities --$tCHAPTER 4. Monsters Roam the Text --$tCHAPTER 5. Monsters Roam the Text --$tCHAPTER 6. Anxious to the End --$tConclusion --$tBibliography --$tIndex 330 $aDostoevsky attached introductions to his most challenging narratives, including Notes from the House of the Dead, Notes from Underground, The Devils, The Brothers Karamazov, and "A Gentle Creature." Despite his clever attempts to call his readers' attention to these introductions, they have been neglected as an object of study for over 150 years. That oversight is rectified in First Words, the first systematic study of Dostoevsky's introductions. Using Genette's typology of prefaces and Bakhtin's notion of multiple voices, Lewis Bagby reveals just how important Dostoevsky's first words are to his fiction. Dostoevsky's ruses, verbal winks, and backward glances indicate a lively and imaginative author at earnest play in the field of literary discourse. 410 0$aUnknown nineteenth century. 606 $aPrefaces$xHistory and criticism 608 $aCriticism, interpretation, etc.$2fast 610 $aArts 610 $aLiterary Criticism 610 $aFyodor Dostoevsky 610 $aHouse of the Dead (film) 610 $aImplied author 610 $aNikolai Gogol 610 $aNotes from Underground 610 $aThe Brothers Karamazov 615 0$aPrefaces$xHistory and criticism. 676 $a891.733 700 $aBagby$b Lewis$f1944-$0983475 712 02$aNational Endowment for the Humanities and The Andrew W. Mellon Foundation Humanities Open Book Program$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996328041103316 996 $aFirst words$92256136 997 $aUNISA