LEADER 05943 am 22008293u 450 001 996328037703316 005 20221206181514.0 010 $a0-520-29899-3 024 7 $a10.1525/9780520970922 035 $a(CKB)4100000008496768 035 $a(DE-B1597)539939 035 $a(OCoLC)1082327134 035 $a(DE-B1597)9780520970922 035 $a(ScCtBLL)91456f78-f20a-4a35-b66a-db574d415767 035 $a(MiAaPQ)EBC6984226 035 $a(Au-PeEL)EBL6984226 035 $a(EXLCZ)994100000008496768 100 $a20200406h20192019 fg 101 0 $aeng 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Saburo Hasegawa Reader /$fDakin Hart, Mark Dean Johnson 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2019] 210 4$dİ2019 215 $a1 online resource (xxxi, 170 pages) $cillustrations; PDF, digital file(s) 300 $aThe Saburo Haseagwa reader accompanies the exhibition Changing and unchanging things : Noguchi and Hasegawa in postwar Japan, which is made possible through lead support from the Terra Foundation for American Art. 311 08$aPrint version: 9780520298996 320 $aIncludes bibliographical references. 327 $tFrontmatter --$tContents --$tIllustrations --$tPreface --$tAcknowledgments --$tIntroduction --$tNote on Translation --$tSaburo Hasegawa: A Brief Biography --$t1. The Controlled Accident --$t2. The Paintings of Saburo Hasegawa --$t3. Saburo Hasegawa: Master of the Controlled Accident --$t4. Saburo Hasegawa as a Leader in Modern Art in Japan --$t5. Selected Writings by Saburo Hasegawa --$t6. Remembrances of Former California College of Arts and Crafts Students --$t7. Selected Letters from Hasegawa to Isamu Noguchi, 1950-1951 --$t8. On Sesshu, 1934 --$t9. Sesshu, 1948 --$t10. The New Art, 1948 --$t11. Conversations with Isamu Noguchi June 8 and 9, 1950 --$t12. Days with Isamu Noguchi, 1950 --$t13. Rambling Words on Song-Yuan Flower-and-Bird Painting, 1950 --$t14. Mondrian: An Essay on the New Occident and the Old Orient, 1951 --$t15. Arp: An Essay on the New Occident and the Old Orient, 1951 --$t16. Letters from France and America: An Essay on the New Occident and the Old Orient, 1951 --$t17. Making the Katsura Imperial Villa Abstract, 1951 --$t18. Calligraphy and New Painting, 1952 --$t19. New Photography and Painting, 1953 --$t20. The Fate of American Artists, 1955 --$t21. Present-Day American Abstract Art, 1955 --$t22. Nationalism and Universalism in Japanese Art, 1955 --$tNotes 330 $aAt publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.The Hasegawa Reader is an open access companion to the bilingual catalogue copublished with The Noguchi Museum to accompany an international touring exhibition, Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan. The exhibition features the work of two artists who were friends and contemporaries: Isamu Noguchi and Saburo Hasegawa. This volume is intended to give scholars and general readers access to a wealth of archival material and writings by and about Saburo Hasegawa. While Noguchi's reputation as a preeminent American sculptor of the twentieth century only grows stronger, Saburo Hasegawa is less well known, despite being considered the most literate artist in Japan during his lifetime (1906-1957). Hasegawa is credited with introducing abstraction in Japan in the mid 1930s, and he worked as an artist in diverse media including oil and ink painting, photography, and printmaking. He was also a theorist and widely published essayist, curator, teacher, and multilingual conversationalist. This valuable trove of Hasegawa material includes the entire manuscript for a 1957 Hasegawa memorial volume, with its beautiful essays by philosopher Alan Watts, Oakland Museum Director Paul Mills, and Japan Times art writer Elise Grilli, as well as various unpublished writings by Hasegawa. The ebook edition will also include a dozen essays by Hasegawa from the postwar period, and one prewar essay, professionally translated for this publication to give a sense of Hasegawa's voice. This resource will be an invaluable tool for scholars and students interested in midcentury East Asian and American art and tracing the emergence of contemporary issues of hybridity, transnationalism, and notions of a "global Asia."; 606 $aArt, Japanese$y20th century 606 $aART / History / Contemporary (1945-)$2bisacsh 610 $a20th century. 610 $aamerican art. 610 $aamerican sculptor. 610 $aartists. 610 $abilingual. 610 $acatalogue. 610 $acurator. 610 $adiverse media. 610 $aeast asian art. 610 $aessayist. 610 $afriends. 610 $aglobal asia. 610 $ainternational touring exhibition. 610 $aintroducing abstraction. 610 $aisamu noguchi. 610 $ajapan. 610 $amanuscript. 610 $amost literate artist in japan. 610 $amultilingual conversationalist. 610 $aoil and ink painting. 610 $aphotography. 610 $apostwar japan. 610 $aprintmaking. 610 $asaber hasegawa. 610 $ateacher. 610 $athe noguchi museum. 610 $atransnationalism. 615 0$aArt, Japanese 615 7$aART / History / Contemporary (1945-). 676 $a709.2 702 $aHart$b Dakin$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aJohnson$b Mark Dean$f1953-$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996328037703316 996 $aThe Saburo Hasegawa Reader$92256091 997 $aUNISA