LEADER 04240 am 22007573u 450 001 996328036803316 005 20221206175345.0 010 $a0-520-29698-2 024 7 $a10.1525/9780520969513 035 $a(CKB)4100000010105996 035 $a(DE-B1597)540120 035 $a(OCoLC)1107057783 035 $a(DE-B1597)9780520969513 035 $aEBL6983699 035 $a(OCoLC)1202557527 035 $a(AU-PeEL)EBL6983699 035 $a(EXLCZ)994100000010105996 100 $a20200406h20192019 fg 101 0 $aeng 135 $aurc|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRenaissance Futurities $eScience, Art, Invention /$fCharlene Villaseñor Black, Mari-Tere Álvarez 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2019] 210 4$d©2019 215 $a1 online resource (x, 238 pages) $cillustrations; digital file(s) 300 $a"This publication is openly available online thanks to the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin" -- Publication details. 311 $a0-520-96951-0 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction. The Future is Now: Reflections on Art, Science, Futurity --$t1. Moon Shot: From Renaissance Imagination to Modern Reality --$t2. Machines in the Garden --$t3. Inventing Interfaces: Camillo's Memory Theater and the Renaissance of Human-Computer Interaction --$t4. Futurities, Empire, and Censorship: Cervantes in Conversation with Ovid and Orwell --$t5. Anticipating the Future: Leonardo's Unpublished Anatomical and Mathematical Observations --$t6. Medicine as a Hunt: Searching for the Secrets of the New World --$t7. The Half-Life of Blue --$t8. 'Ingenuity' and Artists' Ways of Knowing --$tNotes --$tBibliography --$tContributors --$tIndex 330 $aAt publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452-1519), prolific artist and inventor, and other polymaths such as philosopher Giulio "Delminio" Camillo (1480-1544), physician and naturalist Francisco Hernández de Toledo (1514-1587), and writer Miguel de Cervantes (1547-1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression. 606 $aART / History / Renaissance$2bisacsh 610 $aartist. 610 $aartistic rebirth. 610 $aavant garde artistic expression. 610 $adelminio. 610 $aeuropean imperialism. 610 $afrancisco hernandez de toledo. 610 $afuturity. 610 $agiulio camillo. 610 $aglobal early modern world. 610 $ahumanities. 610 $aintersections. 610 $ainventor. 610 $aleonardo da vinci. 610 $amedical humanities. 610 $amiguel de cervantes. 610 $anaturalist. 610 $anew science. 610 $aphilosopher. 610 $aphysician. 610 $apolymaths. 610 $aqueer studies. 610 $arenaissance. 610 $ascientific discovery. 615 7$aART / History / Renaissance. 676 $a701.0509409031 702 $aVillaseñor Black$b Charlene$f1962-$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aÁlvarez$b Mari-Tere$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996328036803316 996 $aRenaissance Futurities$92132029 997 $aUNISA