LEADER 04027nam 2200781 450 001 996328033803316 005 20231110213026.0 010 $a3-8394-4846-8 024 7 $a10.14361/9783839448465 035 $a(CKB)4930000000056123 035 $a(OAPEN)1006714 035 $a(DE-B1597)521819 035 $a(OCoLC)1135569948 035 $a(DE-B1597)9783839448465 035 $a(MiAaPQ)EBC6637549 035 $a(Au-PeEL)EBL6637549 035 $a(OCoLC)1253415899 035 $a(transcript Verlag)9783839448465 035 $a(MiAaPQ)EBC6956084 035 $a(Au-PeEL)EBL6956084 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35154 035 $a(EXLCZ)994930000000056123 100 $a20221125d2019 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPortraits of automated facial recognition $eon machinic ways of seeing the face /$fLila Lee-Morrison 205 $a1st ed. 210 $aBielefeld$d2019 210 1$aBielefeld, Germany :$cTranscript,$d[2019] 210 4$dİ2019 215 $a1 online resource (198) 225 0 $aImage$v162 311 0 $a3-8376-4846-X 320 $aIncludes bibliographical references (pages [187]-194). 327 $aFrontmatter 1 Table of Contents 5 Abstract 9 Acknowledgements 11 Chapter 1: Introduction 15 Chapter 2: Eigenface 55 Chapter 3: Francis Galton and the Composite Portrait 85 Chapter 4: Wittgenstein and the Composite Portrait 101 Chapter 5: Portraiture in the Age of AFR 117 Chapter 6: Metaportraits: Thomas Ruff, andere Portraits 125 Chapter 7: Faces in Excess: Zach Blas, Facial Weaponization Suite 141 Chapter 8: An Algorithmic Ready-made: Trevor Paglen, Adversarially Evolved Hallucination and Eigenface (Even The Dead Are Not Safe) 159 Chapter 9: Conclusion 177 References 187 List of Images 195 330 $aAutomated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called ğeigenfaceĞ and traces a history of the merging of statistics and vision. The second part addresses contemporary artistic engagements with facial recognition technology in the work of Thomas Ruff, Zach Blas, and Trevor Paglen. This book argues that we must take a closer look at the technology of automated facial recognition and claims that its forms of representation are embedded with visual politics. Even more significantly, this technology is redefining what it means to see and be seen in the contemporary world. 330 1 $ağDurch die produktive Verschra?nkung von sozial-, medien- und kunstwissenschaftlichen Diskursen gelingt es der Autorin die Problematik der automatischen Gesichtserkennung in seiner vollen Breite, wie in seiner sozio-historischen Genese deutlich werden zu lassen.Ğ Florian Flo?mer, www.surveillance-studies.org, 29.01.2020 410 0$aImage 606 $aFace perception 606 $aHuman face recognition (Computer science) 606 $aPortraits 610 $aVisual Culture 610 $aMachine Vision 610 $aFacial Recognition Technology 610 $aBiometrics 610 $aArt 610 $aTechnology 610 $aImage 610 $aMedia Aesthetics 610 $aVisual Studies 610 $aMedia Art 610 $aPhotography 610 $aMedia Studies 615 0$aFace perception. 615 0$aHuman face recognition (Computer science) 615 0$aPortraits. 676 $a006.3/7 700 $aLee-Morrison$b Lila$f1977-$01265093 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996328033803316 996 $aPortraits of automated facial recognition$92966514 997 $aUNISA