LEADER 04264nam 2200529 450 001 9910466359903321 005 20200520144314.0 010 $a1-5261-1211-6 035 $a(CKB)3710000000853531 035 $a(EBL)4706035 035 $a(MiAaPQ)EBC4706035 035 $a(OCoLC)980830411 035 $a(MdBmJHUP)muse59371 035 $a(Au-PeEL)EBL4706035 035 $a(CaPaEBR)ebr11274407 035 $a(OCoLC)960166128 035 $a(EXLCZ)993710000000853531 100 $a20161013h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe machine and the ghost $etechnology and spiritualism in nineteenth- to twenty-first-century art and culture /$fedited by Sas Mays and Neil Matheson 210 1$aManchester, England ;$aNew York, New York :$cManchester University Press,$d2013. 210 4$d©2013 215 $a1 online resource (251 p.) 300 $aDescription based upon print version of record. 311 $a0-7190-9006-7 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aIntroduction : technologies, spiritualisms, and modernities / Sas Mays and Neil Matheson -- 'It's organisms that die, not life' : Henri Bergson, psychical research, and the contemporary uses of vitalism / Justin Sausman -- Typewriter, pianola, slate, phonograph : recording technologies and automisation / Aura Satz -- 'Miraculous constellations in real material' : spiritualist phenomena, Dada photomontage, and magic / Leigh Wilson -- Ectoplasm and photography : mediumistic performances for camera / Neil Matheson -- Invasions and fakes / Susan Hiller in conversation with Alexandra Kokoli -- Image, technology, enchantment / Marina Warner in conversation with Dan Smith -- What happens in the gaps / an interview with Suzanne Treister by Roger Luckhurst -- The ghosts of media past and present : spirit photography and contemporary art / Ben Burbridge -- From the premodern to the postmodern : mnemotechnics and the ghost of 'the folk' / Sas Mays -- Ruskin's haunted nature : art and the spectre of ecological catastrophe / Charlie Gere. 330 $aThis stimulating new collection of essays and interviews provides a fresh perspective of society's relationship with the spectral, the ghostly and the paranormal, viewed through our interaction with technology. Adopting a multidisciplinary approach and drawing upon case studies taken from photography, video and the visual arts, the book explores the 'hauntedness' of technologies and ways in which artists, writers and psychical researchers have produced and recycled the iconography of spiritualism and other mediumistic phenomena. The book provides innovative critical thinking on our continued fascination with the role of the paranormal and explores how artists and writers continue to draw upon this field in their work. Spanning the period from the nineteenth century up to the present, the book incorporates a series of case studies embracing such topics as landscape, spirit photography, photomontage, curation and sound works. Theoretically rich, it explores a range of approaches, from the vitalism of Henri Bergson to the 'hauntology' of Jacques Derrida. Contributors include prominent artists such as Susan Hiller, whose videos, photographic work and installations have contributed enormously to the creation of this field within the visual arts, and renowned specialists such as the writer Marina Warner. This book will appeal to a broad academic and cultural audience, particularly undergraduates interested in our culture's fascination with the paranormal, and postgraduates and specialists within the field, but also those interested in art and culture more generally. 606 $aOccultism in art 606 $aTechnology and the arts$vCase studies 608 $aElectronic books. 615 0$aOccultism in art. 615 0$aTechnology and the arts 676 $a700.47 702 $aMays$b Sas 702 $aMatheson$b Neil 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466359903321 996 $aThe machine and the ghost$92486486 997 $aUNINA LEADER 02144nas 2200625- 450 001 996321631003316 005 20231007213020.0 011 $a2215-2628 035 $a(DE-599)ZDB2468992-0 035 $a(OCoLC)60628092 035 $a(CKB)110979839329463 035 $a(CONSER)--2014240442 035 $a(EXLCZ)99110979839329463 100 $a20050614a19759999 --- - 101 0 $aspa 135 $aurun||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRevista de filología y lingüística de la Universidad de Costa Rica 210 1$aSan José, Costa Rica :$cEditorial Universidad de Costa Rica,$d1975- 300 $aRefereed/Peer-reviewed 311 $a0377-628X 517 1 $aRevista de filología y lingüística 531 $aREVISTA DE FILOLOGIA Y LINGUISTICA 606 $aPhilology$vPeriodicals 606 $aPhilology$zCosta Rica$vPeriodicals 606 $aLinguistics$vPeriodicals 606 $aLinguistics$zCosta Rica$vPeriodicals 606 $aCosta Rican literature$xHistory and criticism$vPeriodicals 606 $aCosta Rican literature$2fast$3(OCoLC)fst00880727 606 $aLinguistics$2fast$3(OCoLC)fst00999202 606 $aPhilology$2fast$3(OCoLC)fst01060694 606 $aFILOLOGIA$xPUBLICACIONES PERIODICAS$2renib 606 $aLINGUISTICA$xPUBLICACIONES PERIODICAS$2renib 607 $aCosta Rica$2fast 608 $aCriticism, interpretation, etc.$2fast 608 $aPeriodicals.$2fast 610 $aFilología 610 $aLingüística 615 0$aPhilology 615 0$aPhilology 615 0$aLinguistics 615 0$aLinguistics 615 0$aCosta Rican literature$xHistory and criticism 615 7$aCosta Rican literature. 615 7$aLinguistics. 615 7$aPhilology. 615 7$aFILOLOGIA$xPUBLICACIONES PERIODICAS. 615 7$aLINGUISTICA$xPUBLICACIONES PERIODICAS. 712 02$aUniversidad de Costa Rica, 906 $aJOURNAL 912 $a996321631003316 996 $aRevista de filología y lingüística de la Universidad de Costa Rica$92065202 997 $aUNISA LEADER 02869nam 2200613Ia 450 001 9910955021303321 005 20251117004516.0 010 $a1-135-84512-3 010 $a1-135-84513-1 010 $a1-281-89972-0 010 $a9786611899721 010 $a0-203-88855-3 024 7 $a10.4324/9780203888551 035 $a(CKB)1000000000557030 035 $a(EBL)366324 035 $a(OCoLC)457053878 035 $a(SSID)ssj0000145220 035 $a(PQKBManifestationID)11148271 035 $a(PQKBTitleCode)TC0000145220 035 $a(PQKBWorkID)10156613 035 $a(PQKB)10448987 035 $a(MiAaPQ)EBC366324 035 $a(EXLCZ)991000000000557030 100 $a20080520d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aElectronic media criticism $eapplied perspectives /$fPeter B. Orlik 205 $a3rd ed. 210 $aNew York $cRoutledge$d2009 215 $a1 online resource (559 p.) 225 0 $aElectronic media criticism : communication series 300 $aDescription based upon print version of record. 311 08$a0-415-99537-X 311 08$a0-415-99536-1 320 $aIncludes bibliographical references (p. [501]-530) and index. 327 $aBook Cover; Title; Copyright; Dedication; Contents; Illustrations; Critiques; Preface; 1 The Essence of Criticism; 2 Critical Functions; 3 Criticism and the Communication Process; 4 Knowledge Processing; 5 Tonal and Talent Ingredients; 6 Stage-Molding Ingredients; 7 Business Gratifications; 8 Audience Gratifications; 9 Depiction Analysis; 10 Structural Analysis; 11 Probing Ethics and Values; 12 Aesthetics and Art; 13 The Logic of Aesthetic Form; 14 Reality Programming; 15 Composite Criticism; Appendix A: Specimen Scripts; Appendix B: Suggested Exercises; Notes; Index 330 $aElectronic Media Criticism introduces readers to a variety of critical approaches to audio and video discourse on radio, television and the Internet. The book applies key aesthetic, sociological, philosophical, psychological, structural and economic principles to arrive at a comprehensive evaluation of both programming and advertising content. It includes numerous critiques to illustrate the ways in which critical expression can be structured, providing readers with feasible and flexible tools for focused and rational analysis of electronic media product as well as enhanced underst 606 $aMass media criticism 606 $aCriticism 615 0$aMass media criticism. 615 0$aCriticism. 676 $a302.23 676 $a302.231 700 $aOrlik$b Peter B$01882402 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910955021303321 996 $aElectronic media criticism$94497596 997 $aUNINA