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200 10$aMedieval English romance in context$b[electronic resource] /$fGail Ashton
210   $aLondon $cContinuum$d2010
215   $a1 online resource (172 p.)
225 1 $aTexts and contexts
300   $aDescription based upon print version of record.
311   $a1-84706-249-0 
311   $a1-84706-250-4 
320   $aIncludes bibliographical references and index.
327   $aContents; Series Editors' Preface; Acknowledgements; Introduction; PART ONE: CONTEXTS; Chapter 1: Social and Cultural Context; Chapter 2: Literary Context and Material Culture; PART TWO: TEXTS; Chapter 3: Genre and Intertextuality; Chapter 4: Scripting Identities: Private and Public Worlds; PART THREE: WIDER CONTEXTS; Chapter 5: Critical Contexts; Chapter 6: Afterlives and Adaptations; Further Reading; Index; A; B; C; D; E; F; G; H; I; K; L; M; N; O; P; Q; R; S; T; V; W
330   $aMedieval Romance in Context is a clear, accessible and concise introduction to medieval English verse romantic texts and their wider contexts. It begins by introducing key issues and events that impacted on romance writing and its reception such as chivalric ideals, the Black Death, wars and 'Englishness' as well as key literary issues such as medieval manuscript production and its transmission. Close readings of key texts - including Sir Gawain and the Green Knight , Breton lays and Chaucer's The Man of Law's Tale - highlight generic features and issues like family drama, space and time, and
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606   $aEnglish poetry$yMiddle English, 1100-1500$xHistory and criticism
606   $aRomance poetry$yTo 1500$xHistory and criticism
606   $aRomances, English$xHistory and criticism
615  0$aEnglish poetry$xHistory and criticism.
615  0$aRomance poetry$xHistory and criticism.
615  0$aRomances, English$xHistory and criticism.
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