LEADER 02810otm 2200361I 450 001 996320721403316 005 20210503171642.0 035 $a(OCoLC)646188637 035 $a(EXLCZ)9911833413400041 100 $a20190214h20082008 uy 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe act of singing $ea study of Unsuk Chin's Cantatrix Sopranica for two sopranos, countertenor and ensemble /$fby Hee Yun Kim 210 1$d[2008]. 210 4$dİ2008. 215 $a1 online resource (107 leaves) $cillustrations of music, charts 300 $aAdvisor: Erik Lund. 320 $aIncludes bibliographical references (leaves 98-99). 330 $aUnsuk Chin's Cantatrix Sopranica (2005) for two sopranos, countertenor and ensemble is a mesmerizing and satirical exploration of the ?act of singing.? Chin (b. 1961) is one of the foremost composers on the current world contemporary music scene, as proven by her winning of the prestigious Grawemeyer Award for Music in 2004. The first international recognition of Chin was for Akrostichon-Wortspiel (1993) for solo soprano and ensemble (1991-93). Since its successful premiere, she has continued composing a variety of vocal works up to her first opera Alice in Wonderland (2007). Cantatrix Sopranica demonstrates the depth of her musical language in this medium, undoubtedly providing a valuable resource for further research on her music. It not only represents her unyielding commitment to new sonorities, but also contributes to the continued explorations of the ?new vocalism? by numerous composers from the 1960's. This dissertation is a thorough study of Cantatrix Sopranica with a detailed analysis of each movement, and a broad profile of her compositional techniques up to this point. Cantatrix consists of eight movements, each demonstrating different texts, vocal styles, and musical references. Chapter 1 introduces the project background, research objectives, significance of the project, and Unsuk Chin's biographical sketch. Chapter 2 concerns general approaches to Cantatrix Sopranica, including elements such as text, vocal considerations, pitch structure, and form, with emphasis on the relationships between the movements. Chapter 3 offers an analysis of each movement in depth, while Chapter 4 is a brief conclusion. 606 $aVocal music$zKorea$xAnalysis, appreciation 606 $aVocal music$zKorea$y21st century 606 $aComposition (Music)$y21st century 615 7$aVocal music$xAnalysis, appreciation. 615 7$aVocal music 615 7$aComposition (Music) 700 $aKim$b Hee Yun$0942839 801 0$bUIU 912 $a996320721403316 996 $aThe act of singing$92127649 997 $aUNISA 999 $aBOOK