LEADER 01071nam0-22003371i-450- 001 990004007520403321 005 20081029155017.0 035 $a000400752 035 $aFED01000400752 035 $a(Aleph)000400752FED01 035 $a000400752 100 $a20040318d1999----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aAtti 17. congresso nazionale sulla trasmissione del calore$eFerrara 30 giugno-2 luglio 1999$fUIT, Unione italiana di termofluidodinamica 210 $aFerrara$cUIT$d1999 215 $a2 v. 610 0 $aTrasmissione del calore 676 $a621.402 710 02$aUnione italiana di termofluidodinamica$0151692 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004007520403321 952 $a00 C2296(1/2)(1)$b4717$fDETEC 952 $a00 C2296(2/2)(1)$b4717$fDETEC 952 $a00 C2296(1/2)(2)$b4716$fDETEC 952 $a00 C2296(2/2)(2)$b4716$fDETEC 959 $aDETEC 996 $aAtti 17. congresso nazionale sulla trasmissione del calore$9472568 997 $aUNINA LEADER 06530 am 22006853u 450 001 996320712903316 005 20161024011046.0 010 $a1-78374-236-4 010 $a2-8218-8397-8 010 $a1-78374-235-6 035 $a(CKB)3710000000869542 035 $a(EBL)4694636 035 $a(MiAaPQ)EBC4694636 035 $a(FrMaCLE)OB-obp-3269 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26848 035 $a(PPN)20388955X 035 $a(EXLCZ)993710000000869542 100 $a20200114d2016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPiety in pieces $ehow medieval readers customized their manuscripts /$fKathryn M. Rudy 210 $cOpen Book Publishers$d2016 210 1$aCambridge, UK :$cOpen Book Publishers,$d2016. 215 $a1 online resource (416 p.) 300 $aDescription based upon print version of record. 311 $a1-78374-234-8 311 $a1-78374-233-X 320 $aIncludes bibliographical references and index. 327 $aNotes to the reader -- Abbreviations used in this book -- Introduction: A new approach to codicology -- Types of augmentations -- Part I: The modular method -- A. Modular and non-modular, compared -- B. The hierarchy of decoration -- C. Modules and blank space -- D. Precursors of book modules -- E. Implications of the modular method -- F. Adopters of the modular method -- G. Complicated stratigraphy -- Part II: Changes that did not require rebinding -- A. Correcting the text -- B. Adding text to the blank folios and interstices ; 1. Noting who owned, commissioned, and paid for items ; 2. Adding family information ; 3. Adding legal documents ; 4. Adding a gloss ; 5. Adding calendrical data ; 6. Changing a text to reflect updated circumstances ; 7. Adding text to make a book appropriate as a didactic tool ; 8. Adding prayers -- C. Augmenting the existing decoration -- D. Drawing or painting images directly onto bound parchment -- E. Adding physical material superficially ; 1. Attaching parchment sheets to blank areas of the book ; 2. Adding other objects to blank parchment -- Part III: Changes that required rebinding -- Rebinding -- A. Adding leaves bearing texts -- B. Adding leaves bearing images ; 1. Images for the most common offices ; 2. Images for indulgences ; 3. Portraits and personalizing details ; 4. Images for adding value ; 5. Images for missals ; 6. Other single-leaf miniatures ; 7. Packages of images ; 8. Images removed from one manuscript and inserted into another -- C. Adding quires ; 1. Adding a bifolium ; 2. Adding one or more full quires -- Part IV: Complicated interventions and complete overhauls -- Building a book out of disparate quires -- A. An atelier in Bruges -- B. Unica -- C. The convent of St. Ursula ; 1. Oxford, Bodleian Library, Ms. Rawl. Liturg. E.9* ; 2. The Hague, Koninklijke Bibliotheek, Ms. 132 G ; 3. Uppsala, Universitetsbiblioteket, Ms. C 517 k -- D. The convent of St. Agnes in Delft -- E. The Masters of the Dark Eyes ; 1. Alongside the Master of Gijsbrecht van Brederode ; 2. Leeds, Brotherton Ms. 7 with an added booklet -- Part V: Patterns of desire -- A. Desire to personalize the book -- B. Desire to commemorate a changed family situation -- C. Desire to store small precious objects -- D. Desire for more embellishment -- E. Recycling and refurbishing -- F. Desire to make foreign-produced manuscripts locally relevant -- G. Desire to incorporate new prayers -- H. Fear of hell -- I. Desire to reflect wealth -- J. Changes, social and codicological -- List of illustrations. 330 $aMedieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts-that they were custom-made luxury items-even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of? 606 $aCivilization, Medieval 606 $aCodicology$xHistory$yTo 1500 610 $abook personalisation 610 $amedieval manuscripts 610 $acodicology 610 $areligion 610 $amaterial culture of the book 610 $acustomization 610 $adevotional 610 $aBook of hours 610 $aDelft 610 $aNetherlands 610 $aParchment 610 $aRoyal Library of the Netherlands 610 $aScribe 610 $aUnits of paper quantity 615 0$aCivilization, Medieval. 615 0$aCodicology$xHistory 676 $a940.1 700 $aRudy$b Kathryn M.$0940624 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996320712903316 996 $aPiety in pieces$92280862 997 $aUNISA LEADER 01514nam 2200445Ia 450 001 9910711150103321 005 20180711121003.0 024 8 $aGOVPUB-C13-1103a4790564fba51e14e35e7ee9653a 035 $a(CKB)5470000002480510 035 $a(OCoLC)959982967 035 $a(OCoLC)995470000002480510 035 $a(EXLCZ)995470000002480510 100 $a20161006d1969 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMicroplasticity I $emeasurement of small microstrains at ambient temperature /$fG.W. 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