LEADER 04446oam 22008894a 450 001 996312641103316 005 20221206094517.0 010 $a0-520-96810-7 024 7 $a10.1525/luminos.51 035 $a(CKB)4100000005044143 035 $a(OAPEN)1000229 035 $a(DE-B1597)539693 035 $a(OCoLC)1021064448 035 $a(DE-B1597)9780520968103 035 $a(MdBmJHUP)muse72953 035 $a(ScCtBLL)e02a34df-50f6-4390-ade3-2cf51262f3fb 035 $a(EXLCZ)994100000005044143 100 $a20180129h20182018 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aParameters of Disavowal$eColonial Representation in South Korean Cinema /$fJinsoo An 210 1$aBerkeley, CA : $cUniversity of California Press, $d[2018] 210 4$dİ2018 215 $a1 online resource (ix, 189 pages) $cillustrations; PDF, digital file(s) 225 0 $aGlobal Korea ;$v1 311 08$aPrint version: 9780520295308 320 $aIncludes bibliographical references and index. 327 $aUnder the banner of nationalism : the changing imagery of anti-colonial leadership -- Reckoning and cooperation : film and the Waesaek ("Japanese color") controversies of the 1960s -- The Manchurian action film : a new anti-colonial imaginary in the Cold War context -- In the colonial zone of contact : Kisaeng and gangster films -- Horror and revenge : return of the repressed colonial violence -- Coda : after 2000. 330 $a"The colonial experience of the twentieth century from 1910 to 1945 shaped the culture and identity of Korea, yet the manner in which South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent. In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema"--Provided by publisher. 410 0$aGlobal Korea ;$v1. 606 $aNationalism in motion pictures$y20th century 606 $aImperialism in motion pictures$y20th century 606 $aMotion pictures$zKorea (South)$xHistory$y20th century 608 $aElectronic books. 610 $a1900s. 610 $a20th century. 610 $aacademic. 610 $aanticolonial. 610 $acinema. 610 $acold war. 610 $acolonial. 610 $acultural identity. 610 $aearly 20th century. 610 $ageopolitics. 610 $aimperialism. 610 $akorea. 610 $akorean cinema. 610 $akorean history. 610 $akorean. 610 $aluminos. 610 $anational history. 610 $anationalism. 610 $anatural history. 610 $apolitics. 610 $apostcolonial cinema. 610 $apostcolonial film. 610 $apostcolonial. 610 $ascholarly. 610 $asouth korea. 610 $asouth korean history. 610 $awartime. 610 $awwi. 610 $awwii. 615 0$aNationalism in motion pictures 615 0$aImperialism in motion pictures 615 0$aMotion pictures$xHistory 676 $a791.430951/95 700 $aAn$b Jinsoo$f1968-$01022169 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996312641103316 996 $aParameters of Disavowal$92427859 997 $aUNISA