LEADER 01912cam2-2200529---450 001 990000088090203316 005 20180510142825.0 035 $a0008809 035 $aUSA010008809 035 $a(ALEPH)000008809USA01 035 $a0008809 100 $a20001003f19501959|||y0itay5003----ba 101 0 $aita 102 $aIT 105 $ay|||||||001yy 200 $aCatalogo generale della libreria italiana. Quarto supplemento dal 1931 al 1940$fcompilato da Arrigo Plinio Pagliaini$gpubblicato sotto gli auspici dell'Associazione italiana editori 210 $aMilano$cS.A. per pubblicazioni bibliografico-editoriali$d[195-] 215 $a2 volumi (803; 794 p.)$d28 cm 327 1 $a1: A-K$a2: L-Z 422 0$10010008800$12001$aCatalogo generale della libreria italiana dall'anno 1847 a tutto il 1899 606 0 $aPubblicazioni italiane$z1931-1940$xCataloghi$2BNCF 676 $a015.4503 700 1$aPAGLIAINI,$bArrigo Plinio$0557246 801 $aIT$bsalbc$gISBD 912 $a990000088090203316 951 $aI.2.C. 114/1(XIII D 256 D/1)$b129732 L.M.$cI.2. 951 $aI.2.C. 114/2(XIII D 256 D/2)$b129732 L.M.$cI.2. 959 $aBK 969 $aUMA 979 $aTAMI$b40$c20001003$lUSA01$h1134 979 $aTAMI$b40$c20001003$lUSA01$h1143 979 $c20000914$lUSA01$h1740 979 $c20001019$lUSA01$h1056 979 $c20001019$lUSA01$h1454 979 $c20001019$lUSA01$h1501 979 $c20001019$lUSA01$h1539 979 $c20001024$lUSA01$h1515 979 $c20001027$lUSA01$h1519 979 $c20001027$lUSA01$h1524 979 $c20001110$lUSA01$h1710 979 $c20001124$lUSA01$h1208 979 $c20020403$lUSA01$h1616 979 $aPATRY$b90$c20040406$lUSA01$h1607 979 $aCOPAT2$b90$c20050223$lUSA01$h1736 979 $aCOPAT2$b90$c20050223$lUSA01$h1736 996 $aCatalogo generale della libreria italiana$9927901 997 $aUNISA LEADER 01177nam0-2200373li-450 001 990000249920203316 005 20180312154703.0 010 $a88-08-01446-0 035 $a0024992 035 $aUSA010024992 035 $a(ALEPH)000024992USA01 035 $a0024992 100 $a2001997101987-------y0itay0103----ba 101 0 $aita 102 $aIT 200 1 $aElementi di statistica$eintroduzione alla matematica dell'incerto$fMauro Cerasoli, Giuseppe Tomassetti 210 $aBologna$cZanichelli$dcopyr. 1987 215 $aVIII, 283 p.$cill.$d23 cm 610 1 $astatistica matematica 676 $a5195$9Statistica matematica 700 1$aCerasoli,$bMauro$036251 702 1$aTomassetti,$bGiuseppe 801 $aSistema bibliotecario di Ateneo dell' Universitą di Salerno$gRICA 912 $a990000249920203316 951 $a519.5 CER (A)$b20227/CBS$c519.5$d00221370 959 $aBK 969 $aSCI 979 $c19971004 979 $c20001110$lUSA01$h1715 979 $c20020403$lUSA01$h1633 979 $aPATRY$b90$c20040406$lUSA01$h1618 979 $aRSIAV6$b90$c20090529$lUSA01$h1142 996 $aElementi di statistica$9615785 997 $aUNISA LEADER 04135 am 22007333u 450 001 996312639903316 005 20230621140201.0 010 $a0-520-30362-8 024 7 $a10.1525/luminos.65 035 $a(CKB)4100000008496767 035 $a(OAPEN)1005097 035 $a(DE-B1597)539938 035 $a(OCoLC)1057244516 035 $a(DE-B1597)9780520972773 035 $a(ScCtBLL)9850d640-7252-4c31-89a6-bb72f0a3f877 035 $aEBL6984006 035 $a(AU-PeEL)EBL6984006 035 $a(MiAaPQ)EBC6984006 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33668 035 $a(EXLCZ)994100000008496767 100 $a20200406h20192019 fg 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrame by Frame $eA Materialist Aesthetics of Animated Cartoons /$fHannah Frank 210 $aOakland$cUniversity of California Press$d2019 210 1$aBerkeley, CA : $cUniversity of California Press, $d[2019] 210 4$d©2019 215 $a1 online resource (li, 222 pages) $cillustrations; PDF, digital file(s) 300 $aDescription based upon print version of record. 311 08$aPrint version: 9780520303621 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tForeword : Hannah Frank's Pause -- $tEditor's Introduction -- $tAcknowledgments -- $tIntroduction: Looking at Labor -- $t1. Animation and Montage; or, Photographic Records of Documents -- $t2. A View of the World: Toward a Photographic Theory of Cel Animation -- $t3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist -- $t4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians -- $tConclusion: The Labor of Looking -- $tNotes -- $tBibliography -- $tIndex 330 $aAt publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line. 606 $aAnimated films$xHistory and criticism 606 $aMotion pictures$xAesthetics 610 $aart formed on assembly line. 610 $acel animation. 610 $acharacter animation. 610 $acinema and media studies. 610 $adrawings inked and painted. 610 $agolden age of animation. 610 $aindividual transparent celluloid sheets. 610 $amaking of cartoons. 610 $amechanized and standardized. 610 $aoriginal. 610 $aphotographic theory of cel animation. 610 $apredigital age of 20th century. 610 $aresearched. 610 $astudy of american animated cartoons. 615 0$aAnimated films$xHistory and criticism. 615 0$aMotion pictures$xAesthetics. 676 $a791.43/3409 700 $aFrank$b Hannah, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0868158 702 $aGunning$b Tom, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMorgan$b Daniel, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996312639903316 996 $aFrame by Frame$91938038 997 $aUNISA