LEADER 04623 am 22008173u 450 001 996312639103316 005 20230621140503.0 010 $a0-520-30452-7 024 7 $a10.1525/luminos.71 035 $a(CKB)4100000009365985 035 $a(OAPEN)1005408 035 $a(DE-B1597)539934 035 $a(OCoLC)1081370659 035 $a(DE-B1597)9780520973152 035 $a(ScCtBLL)0b78e0e1-eb74-4bb2-ab9a-cab50fcb046c 035 $aEBL6984390 035 $a(AU-PeEL)EBL6984390 035 $a(MiAaPQ)EBC6984390 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35176 035 $a(EXLCZ)994100000009365985 100 $a20200406h20192019 fg 101 0 $aeng 135 $aurm|#---au||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLouder and Faster $ePain, Joy, and the Body Politic in Asian American Taiko /$fDeborah Wong 210 $aOakland$cUniversity of California Press$d2019 210 1$aBerkeley, CA : $cUniversity of California Press, $d[2019] 210 4$dİ2019 215 $a1 online resource (xv, 273 pages) $cPDF, digital file(s) 225 0 $aAmerican Crossroads ;$v55 300 $aDescription based upon print version of record. 311 08$aPrint version: 9780520304529 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tContents -- $tList of Video and Audio Examples -- $tIntroduction -- $tTransition: Don -- $t1. Looking, Listening, and Moving -- $t2. Inventories: The Material Culture of Taiko -- $tTransition: She Dances on a Taiko -- $t3. Dancing the Body Politic -- $tTransition: Unison and Circles -- $t4. Good Gigs, Bad Gigs: Drumming between Hope and Anger -- $t5. Taiko, Erotics, and Anger -- $tTransition: From My Journal-Learning and Playing "Miyake," May 8, 2006 -- $t6. Pain and the Body Politic: Taiko Players Talk about Blisters and More -- $t7. Cruising the Pac Rim: Driven to Thrill -- $tTransition: How to Leave a Taiko Group -- $tConclusion: Core Values -- $tNotes -- $tAcknowledgments -- $tGlossary -- $tReferences -- $tAmerican Crossroads -- $tIndex 330 $aA free open access ebook is available upon publication. Learn more at www.luminosoa.org.Louder and Faster is a cultural study of the phenomenon of Asian American taiko, the thundering, athletic drumming tradition that originated in Japan. Immersed in the taiko scene for twenty years, Deborah Wong has witnessed cultural and demographic changes and the exponential growth and expansion of taiko particularly in Southern California. Through her participatory ethnographic work, she reveals a complicated story embedded in memories of Japanese American internment and legacies of imperialism, Asian American identity and politics, a desire to be seen and heard, and the intersection of culture and global capitalism. Exploring the materialities of the drums, costumes, and bodies that make sound, analyzing the relationship of these to capitalist multiculturalism, and investigating the gender politics of taiko, Louder and Faster considers both the promises and pitfalls of music and performance as an antiracist practice. The result is a vivid glimpse of an Asian American presence that is both loud and fragile. 410 0$aAmerican crossroads ;$v55. 606 $aTaiko (Drum ensemble)$zUnited States$xHistory 606 $aAsian American musicians 606 $aJapanese American musicians 606 $aMusic$2bicssc 606 $aSociety & social sciences$2bicssc 610 $aasian american presence. 610 $aasian american taiko. 610 $abodies. 610 $acostumes. 610 $acultural. 610 $adrums. 610 $agender politics of taiko. 610 $ajapanese american internment. 610 $alegacies of imperialism. 610 $amusic and performance as antiracist practice. 610 $aoriginated in japan. 610 $astudy of asian american taiko. 610 $ataiko growth in southern california. 610 $athundering athletic drumming tradition. 610 $avivid. 615 0$aTaiko (Drum ensemble)$xHistory. 615 0$aAsian American musicians. 615 0$aJapanese American musicians. 615 7$aMusic 615 7$aSociety & social sciences 676 $a786.9089956073 700 $aWong$b Deborah, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0921005 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996312639103316 996 $aLouder and Faster$92065723 997 $aUNISA LEADER 03771nam 2200853 a 450 001 9910790673803321 005 20230120084738.0 010 $a0-8232-6106-9 010 $a0-8232-5518-2 010 $a0-8232-5516-6 010 $a0-8232-5517-4 024 7 $a10.1515/9780823255177 035 $a(CKB)2550000001123606 035 $a(EBL)3239840 035 $a(SSID)ssj0000980801 035 $a(PQKBManifestationID)11547056 035 $a(PQKBTitleCode)TC0000980801 035 $a(PQKBWorkID)10959672 035 $a(PQKB)11681982 035 $a(StDuBDS)EDZ0000292585 035 $a(OCoLC)867740049 035 $a(MdBmJHUP)muse27572 035 $a(DE-B1597)555373 035 $a(DE-B1597)9780823255177 035 $a(Au-PeEL)EBL3239840 035 $a(CaPaEBR)ebr10747395 035 $a(CaONFJC)MIL525323 035 $a(OCoLC)859159614 035 $a(OCoLC)1154983327 035 $a(Au-PeEL)EBL1426706 035 $a(OCoLC)861538566 035 $a(MiAaPQ)EBC3239840 035 $a(MiAaPQ)EBC1426706 035 $a(EXLCZ)992550000001123606 100 $a20130409d2014 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aCommon things$b[electronic resource] $eromance and the aesthetics of belonging in Atlantic modernity /$fJames D. Lilley 205 $a1st ed. 210 $aNew York $cFordham University Press$d2014 215 $a1 online resource (250 p.) 225 0 $aCommonalities 225 0$aCommonalities 300 $aDescription based upon print version of record. 311 $a0-8232-5515-8 311 $a1-299-94072-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tINTRODUCTION. Common Things -- $t1. GENRE -- $t2. FEELING -- $t3. PROPERTY/PERSONHOOD -- $t4. EVENT/HIATUS -- $t5. NO THING IN COMMON -- $tNOTES -- $tINDEX 330 $aWhat are the relationships between the books we read and the communities we share? Common Things explores how transatlantic romance revivals of the eighteenth and nineteenth century influenced?and were influenced by?emerging modern systems of community.Drawing on the work of Washington Irving, Henry Mackenzie, Thomas Jefferson, James Fenimore Cooper, Robert Montgomery Bird, and Charles Brockden Brown, the book shows how romance promotes a distinctive aesthetics of belonging?a mode of being in common tied to new qualities of the singular. Each chapter focuses on one of these common things?the stain of race, the ?property? of personhood, ruined feelings, the genre of a text, and the event of history?and examines how these peculiar qualities work to sustain the coherence of our modern common places. In the work of Horace Walpole and Edgar Allan Poe, the book further uncovers an important? and never more timely?alternative aesthetic practice that reimagines community as an open and fugitive process rather than as a collection of common things. 410 0$aCommonalities. 606 $aLiterature$xPhilosophy$xHistory 610 $aAmerican Literature. 610 $aBritish Literature. 610 $aEighteenth-Century Literature. 610 $aLiterature. 610 $aNineteenth-Century American Literature. 610 $aPhilosophy. 610 $aPolitical Theory. 610 $aaesthetics. 610 $agenre studies. 610 $aromance. 615 0$aLiterature$xPhilosophy$xHistory. 676 $a801 700 $aLilley$b James D$g(James David),$f1971-$01489515 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790673803321 996 $aCommon things$93710238 997 $aUNINA