LEADER 05622 am 22006133u 450 001 996312638103316 005 20231110234117.0 010 $a90-485-3553-0 035 $a(CKB)4100000009763065 035 $a(OAPEN)1005803 035 $a(DE-B1597)539930 035 $a(OCoLC)1124678462 035 $a(DE-B1597)9789048535538 035 $a(MiAaPQ)EBC6637631 035 $a(Au-PeEL)EBL6637631 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32399 035 $a(EXLCZ)994100000009763065 100 $a20191126d2019 fg 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBoredom, Shanzhai, and Digitisation in the Time of Creative China /$fYiu Fai Chow, Jeroen de Kloet, Lena Scheen 210 $aAmsterdam$cAmsterdam University Press$d2019 210 1$aAmsterdam :$cAmsterdam University Press,$d[2019] 210 4$d©2019 215 $a1 online resource (289) 225 0 $aAsian Visual Cultures 327 $tFrontmatter --$tTable of Contents --$tAcknowledgments --$tI. Introduction: We Must Create? /$rScheen, Lena / Fai, Chow Yiu / Kloet, Jeroen de --$tII. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity /$rWilf, Eitan --$tSection 1: Boredom --$tEssays --$t1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective /$rCoppoolse, Anneke --$t1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge /$rCuiyan, Wen --$tInterlocuting --$t1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism /$rPeeren, Esther --$t1.4 Boredom and Creativity in the Era of Accelerated Living /$rLindner, Christoph --$tNotes from the Field --$t1.5 Evaporating Ennui Water Calligraphy in Beijing /$rVermeeren, Laura --$t1.6 Male Cinderella on the Small Screen in mainland China /$rHao, Li --$tIn Dialogue --$t1.7 'Performativity' in the Age of Banality /$rShing, Kung Chi / Ng, Kingsley / Shan, Lo Yin --$tSection 2: Shanzhai --$tEssays --$t2.1 New Productive Culture Shanzhai or Second Degree of Creation? /$rYin, Yiyi / Fung, Anthony --$t2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen' /$rHo, Louis --$t2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective /$rYuefan, Xiao --$tInterlocuting --$t2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products /$rScheen, Lena --$t2.5 Shanzhai = Creativity, Creativity = Shanzhai /$rLandsberger, Stefan --$tNotes from the Field --$t2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education /$rFan, Feng --$t2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners? /$rNauta, Arjen --$tIn Dialogue --$t2.8 Two sides of SZ (Shanzhai & Shenzhen) /$rChunru, Deng / Dai, Dai / Shan, Lo Yin --$tSection 3: Digitisation --$tEssay --$t3.1 Creativity, Affordances, and Chinese Traditional Culture /$rKeane, Michael --$tInterlocuting --$t3.2 Digital Payment, Vernacular Creativity, and Governmentality /$rSiyu, Chen --$t3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products /$rGuohua, Zeng / Guohua, Zeng --$tNotes from the Field --$t3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails /$rDeng, Zoénie Liwen --$t3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016 /$rParry, Rowan --$tIn Dialogue --$t3.6 Digitisation with (in/out) Borders /$rLeung, Isaac / Fong, Janet / Shan, Lo Yin --$tIndex 330 $aWith its emergence as a global power, China aspires to transform from "made in China" to "created in China". Mobilised as a crucial source for solid growth and "soft power," creativity has become part of the new China Dream. This anthology engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake stuffs challenge notions of the original and authentic? Which spaces for expressions and contestations has China's fast-developing digital world of Weixin, Taobao, Youku and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents and field notes, from thinkers, researchers, practitioners and policy-makers, contribute to explore, examine and problematize what is going on in China now, ultimately to tease out its implication to our understanding of "creativity". 410 0$aAsian Visual Cultures 606 $aThe arts: general issues$2bicssc 606 $aIndustrial / commercial art & design$2bicssc 607 $aChina$2bicssc 610 $aChina. 610 $aCreativity. 610 $aboredom. 610 $adigitisation. 610 $ashanzhai. 615 7$aThe arts: general issues 615 7$aIndustrial / commercial art & design 676 $a153.35 686 $aLC 13440$2rvk 700 $ade Kloet$b Jeroen$4edt$0881540 702 $aChow$b Yiu Fai$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aScheen$b Lena$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $ade Kloet$b Jeroen$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996312638103316 996 $aBoredom, Shanzhai, and Digitisation in the Time of Creative China$93584667 997 $aUNISA