LEADER 04398 am 22005533u 450 001 996309225203316 005 20190723020930.0 010 $a3-11-060427-2 035 $a(CKB)4100000007205123 035 $a(OAPEN)1004940 035 $a(DE-B1597)496783 035 $a(OCoLC)1078919860 035 $a(DE-B1597)9783110604276 035 $aEBL7015174 035 $a(AU-PeEL)EBL7015174 035 $a(EXLCZ)994100000007205123 100 $a20190723d2018 fg 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHistory and Drama $eThe Pan-European Tradition /$fJoachim Küpper, Jan Mosch, Elena Penskaya 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2018] 210 4$dİ2019 215 $a1 online resource (253) 300 $aDescription based upon print version of record. 311 $a3-11-060426-4 327 $tFrontmatter -- $tAcknowledgments -- $tContents -- $tIntroduction / $rMosch, Jan -- $tLiterature and Historiography in Aristotle and in Modern Times / $rKüpper, Joachim -- $tHistory, Myth, and Early Modern Drama / $rHoxby, Blair -- $tKing Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu / $rGubbini, Gaia -- $tWhen History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays / $rFriede, Susanne -- $tMachiavelli's Soteriology and the Humanist Quattrocento Dialogue / $rIvanova, Julia V. -- $tLucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus / $rSokolov, Pavel V. -- $tThe Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets) / $rBoltunova, Ekaterina -- $tHistory - Drama - Mythology / $rDickhaut, Kirsten -- $tFielding's Farces: Travestying the Historiosophical Discourse / $rPenskaya, Elena N. -- $tOstrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends / $rKuptsova, Olga -- $tThe Bildungsdrama and Alexander Ostrovsky's Plays / $rSarana, Natalia V. -- $t"Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements / $rChakrabarti, Gautam -- $tThe Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016 / $rBernhart, Toni / Janke, Janina -- $tRhetorical Ventriloquism in Application / $rMayfield, D. S. -- $tNotes on Contributors -- $tIndex 330 $aAristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands. 606 $aPoetry$2bicssc 606 $aHistory$2bicssc 610 $aComparative Literature. 610 $aDrama. 610 $aEarly Modern Europe. 610 $aHistory of Ideas. 615 7$aPoetry 615 7$aHistory 676 $a792.094 702 $aKüpper$b Joachim, 702 $aMosch$b Jan, 702 $aPenskaya$b Elena, 712 02$aEuropean Research Council (ERC)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996309225203316 996 $aHistory and Drama$92150987 997 $aUNISA