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001 996309060103316
005 20190615120916.0
010   $a3-11-055609-X
024 7 $a10.1515/9783110556094
035   $a(CKB)3800000000418913
035   $a(DE-B1597)483694
035   $a(OCoLC)1013941459
035   $a(DE-B1597)9783110556094
035   $aEBL6978386
035   $a(AU-PeEL)EBL6978386
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/45254
035   $a(EXLCZ)993800000000418913
100   $a20190615d2017      fg 
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aDiscursive "Renovatio" in Lope de Vega and Calderón $eStudies on Spanish Baroque Drama /$fJoachim Küpper
210   $cDe Gruyter$d2017
210  1$aBerlin ;$aBoston : $cDe Gruyter, $d[2017]
210  4$d©2018
215   $a1 online resource (493 p.)
300   $aDescription based upon print version of record.
311   $a3-11-055608-1 
327   $tFrontmatter -- $tAcknowledgments -- $tTable of contents -- $t1. Defining the Baroque: Overview of Research, Outline of the Study's Thesis -- $t2. Typologizing Remodeling and Restoration of the exemplum: Lope de Vega's El castigo sin venganza -- $t3. Religious Drama as Corpus Christi Play: The auto sacramental as Condensed Manifestation of the Restored Discourse -- $t4. Excursus: Ruptures, Changes, and Evolutions. Outline of the Medieval, the Renaissance, and the Mannerist Discourse -- $t5. The Colonization of the New Worlds: Calderón's El príncipe constante -- $t6. The Honor Case as 'Emblem' of a Damaged World: Calderón's El médico de su honra -- $t7. Concluding Remarks -- $tReferences -- $tIndex
330   $aThis volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for the specialist of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza, El príncipe constante, El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.
606   $aBarockliteratur
606   $aBaroque Literature
606   $aCalderón
606   $aDrama
606   $aFrühe Neuzeit
606   $aLope de Vega
606   $aSiglo de Oro
606   $aSpanish Golden Age
606   $aTheater
606   $3(DE-601)106385380$3(DE-588)4004541-9$aBarock$2gnd
606   $aLITERARY CRITICISM / Drama$2bisacsh
610   $aBaroque Literature.
610   $aCalderón.
610   $aDrama.
610   $aLope de Vega.
610   $aSpanish Golden Age.
615  4$aBarockliteratur.
615  4$aBaroque Literature.
615  4$aCalderón.
615  4$aDrama.
615  4$aFrühe Neuzeit.
615  4$aLope de Vega.
615  4$aSiglo de Oro.
615  4$aSpanish Golden Age.
615  4$aTheater.
615  7$aBarock
615  7$aLITERARY CRITICISM / Drama.
700   $aKüpper$b Joachim, $0960501
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a996309060103316
996   $aDiscursive "Renovatio" in Lope de Vega and Calderón$92238957
997   $aUNISA