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181   $ctxt
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200 00$aDoes War Belong in Museums?$eThe Representation of Violence in Exhibitions$fWolfgang Muchitsch
205   $a1st ed.
210   $aBielefeld$ctranscript Verlag$d2014
215   $a1 online resource (225 p.)
225 0 $aEdition Museumsakademie Joanneum$v4
300   $aInternational conference proceedings.
311   $a3-8376-2306-8 
311   $a1-306-99705-4 
320   $aIncludes bibliographical references.
327   $a1  Editorial    2  Content    5  Does War Belong in Museums? The Representation of Violence in Exhibitions    9  Introduction    13  Museums and the Representation of War    21  Military Museums and Social History    41  Contents and Space: New Concept and New Building of the Milita?rhistorisches Museum of the Bundeswehr    63  From Technical Showroom to Full-fledged Museum: The German Tank Museum Munster    83  The Museum of Military History/Institute of Military History in Vienna: History, Organisation and Significance    99  The Concept for a New Permanent Exhibition at the Museum Altes Zeughaus    107  About the Beauty of War and the Attractivity of Violence    123  The Bomb and the City: Presentations of War in German City Museums    131  War in Context: Let the Artifacts Speak    145  War Museums and Photography    155  The Monument is Invisible, the Sign Visible. Monuments in New Perspectives    173  Politics of Memory and History in the Museum - The New "Museum of the History of the Great Patriotic War" in Minsk/Belarus    185  Framing the Military-Nation: New War Museums and Changing Representational Practices in Turkey since 2002    203  Contributors    219
330   $aPresentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?
330 1 $ağEin instruktiver Band.Ğ  Christian Demand, Merkur, 68/7 (2014)    Reviewed in:  H-Soz-u-Kult, 10.10.2013, Christian Hirte  Mitteilungen, 46/2 (2013)
410  0$aEdition Museumsakademie Joanneum ;$vBd. 4.
606   $aMuseum; War; Conflict; Exhibition; Violence; Cultural History; Museology; Memory Culture;
610   $aConflict.
610   $aCultural History.
610   $aExhibition.
610   $aMemory Culture.
610   $aMuseology.
610   $aViolence.
610   $aWar.
615  4$aMuseum; War; Conflict; Exhibition; Violence; Cultural History; Museology; Memory Culture;
676   $a355.02074
702   $aMuchitsch$b Wolfgang$4edt
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906   $aBOOK
912   $a996308832203316
996   $aDoes War Belong in Museums$91942434
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