LEADER 01698cam2-2200445---450- 001 990001267250203316 005 20110720134927.0 010 $a978-1-108-00802-0 035 $a000126725 035 $aUSA01000126725 035 $a(ALEPH)000126725USA01 035 $a000126725 100 $a20031120e20101849km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $aaf||||||001yy 200 1 $aNarratives of voyages towards the North-West$ein search of a passage to Cathay and India, 1496 to 1631$fedited by Thomas Rundall 210 $aCambridge [etc.]$cCambridge University Press$d2010 215 $aVI, XVI, 259 p., [6] carte di tav.$cill.$d22 cm 225 2 $aCambridge library collection$iTravel and exploration 300 $aRiproduzione facsimilare dell'edizione: London : printed for the Hakluyt society, 1849 410 0$1001000126532$12001$aCambridge library collection. Travel and exploration 676 $a910.916327 702 1$aRUNDALL,$bThomas 801 0$aIT$bsalbc$gISBD 912 $a990001267250203316 951 $aVII.3. Coll. 17/ 5$b230196 L.M.$cVII.3. Coll.$d00164887 959 $aBK 969 $aUMA 979 $aMARIA$b10$c20031120$lUSA01$h1009 979 $aPATRY$b90$c20040406$lUSA01$h1730 979 $aANNAMARIA$b90$c20110221$lUSA01$h1440 979 $aANNAMARIA$b90$c20110223$lUSA01$h1037 979 $aANNAMARIA$b90$c20110511$lUSA01$h1034 979 $aANNAMARIA$b90$c20110516$lUSA01$h1240 979 $aANNAMARIA$b90$c20110715$lUSA01$h1307 979 $aANNAMARIA$b90$c20110719$lUSA01$h1312 979 $aANNAMARIA$b90$c20110720$lUSA01$h1349 996 $aNarratives of voyages towards the North-West$9986898 997 $aUNISA LEADER 04086nam 2200949 450 001 9910789286903321 005 20200520144314.0 010 $a0-520-95800-4 024 7 $a10.1525/9780520958005 035 $a(CKB)3710000000092497 035 $a(EBL)1650801 035 $a(SSID)ssj0001132905 035 $a(PQKBManifestationID)11610999 035 $a(PQKBTitleCode)TC0001132905 035 $a(PQKBWorkID)11154660 035 $a(PQKB)10097805 035 $a(MiAaPQ)EBC1650801 035 $a(OCoLC)873805867 035 $a(MdBmJHUP)muse32349 035 $a(DE-B1597)519693 035 $a(DE-B1597)9780520958005 035 $a(Au-PeEL)EBL1650801 035 $a(CaPaEBR)ebr10846225 035 $a(CaONFJC)MIL581101 035 $a(PPN)183455967 035 $a(EXLCZ)993710000000092497 100 $a20130812h20142014 uy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aRomantic anatomies of performance /$fJ.Q. Davies 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$d©2014 215 $a1 online resource (281 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27939-5 320 $aIncludes bibliographical references and index. 327 $aVeluti in speculum : the twilight of the castrato -- Reflecting on reflex : a touching fact about Chopin -- The Sontag-Malibran stereotype -- Boneless hands/Thalberg's ready-made soul/velvet fingers -- In search of voice : Nourrit's voix mixte, Donzelli's bari-tenor -- Liszt's metapianism and the cultural history of the hand. 330 $aRomantic Anatomies of Performance is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies. 606 $aMusic$y19th century$xHistory and criticism 606 $aMusic$xPerformance$xHistory 610 $acastrato. 610 $acelebrity pianists. 610 $afranz liszt. 610 $afrederic francois chopin. 610 $agiovanni battista rubini. 610 $agiovanni battista velluti. 610 $ahistorical. 610 $ahistory of music. 610 $ahistory. 610 $alive entertainment. 610 $amaria felicia malibran. 610 $amedical approach to music. 610 $amusic and physical impacts. 610 $amusic. 610 $amusical expression. 610 $amusical performers. 610 $amusicians. 610 $amusicological. 610 $aopera. 610 $apianistic health. 610 $apianists. 610 $apiano. 610 $ascientific approach to music. 610 $asigismond thalberg. 610 $asingers. 610 $atechniques of musical training. 610 $avirtuosic musicians. 610 $avocal health. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xPerformance$xHistory. 676 $a781.4/309034 700 $aDavies$b J. Q.$f1973-$01542732 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789286903321 996 $aRomantic anatomies of performance$93795750 997 $aUNINA LEADER 03367nam 22008175 450 001 996308789903316 005 20240319182716.0 010 $a3-8394-2954-4 024 7 $a10.14361/9783839429549 035 $a(CKB)4340000000001022 035 $a(DE-B1597)453201 035 $a(OCoLC)1013957864 035 $a(OCoLC)1049619215 035 $a(OCoLC)1054880423 035 $a(OCoLC)948804454 035 $a(DE-B1597)9783839429549 035 $a(MiAaPQ)EBC4940311 035 $a(Au-PeEL)EBL4940311 035 $a(CaPaEBR)ebr11427252 035 $a(OCoLC)1002016406 035 $a(ScCtBLL)b87408bb-4eea-4f0d-a218-6bca8666171e 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29759 035 $a(EXLCZ)994340000000001022 100 $a20190615d2016 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAt Face Value and Beyond $ePhotographic Constructions of Reality /$fMonika Schwärzler 205 $a1. Aufl. 210 $aBielefeld, Germany$ctranscript Verlag$d2016 210 1$aBielefeld :$ctranscript-Verlag,$d[2016] 210 4$d©2016 215 $a1 online resource 225 0 $aImage ;$v75 327 $tFrontmatter --$tAcknowledgment --$tInhalt --$tIntroductory Remarks --$tConscious and Semi-Conscious States of the Camera --$tDressed to Suffer and Redeem --$tBlocked View and Impeded Vision --$tUnedited Glamor --$tLost in Pleasure --$tDeath Can Wait --$t"The Beast" --$tDenigrative Views --$tThe White Handbag --$tReferences 330 $aHow to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value. 410 0$aImage 606 $aFine Arts 606 $aImage 606 $aImagery 606 $aMedia 606 $aVisual Culture 606 $aVisual Literacy 606 $aVisual Studies 606 $aART / Criticism$2bisacsh 610 $aFine Arts. 610 $aImage. 610 $aImagery. 610 $aMedia. 610 $aVisual Culture. 610 $aVisual Literacy. 610 $aVisual Studies. 615 4$aFine Arts. 615 4$aImage. 615 4$aImagery. 615 4$aMedia. 615 4$aVisual Culture. 615 4$aVisual Literacy. 615 4$aVisual Studies. 615 7$aART / Criticism. 676 $a300 700 $aSchwärzler$b Monika$0891727 712 02$aKnowledge Unlatched - KU Select 2017: Backlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996308789903316 996 $aAt Face Value and Beyond$91991582 997 $aUNISA