LEADER 01639nas 2200529-a 450 001 996251304603316 005 20230227213019.0 011 $a1741-2684 035 $a(OCoLC)49765094 035 $a(CKB)969963426011 035 $a(CONSER)--2010252597 035 $a(MiFhGG)5ETF 035 $a(DE-599)ZDB2084045-7 035 $a(EXLCZ)99969963426011 100 $a20020510a20029999 --- a 101 0 $aeng 135 $aurmnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDementia $ethe international journal of social research and practice 210 $aLondon $cSage Publications 300 $aRefereed/Peer-reviewed 311 $a1471-3012 531 $aDEMENTIA THE INTERNATIONAL JOURNAL OF SOCIAL RESEARCH AND PRACTICE 531 $aDEMENTIA-LONDON 606 $aPsychiatric social work$vPeriodicals 606 $aSocial work with older people$vPeriodicals 606 $aDementia$vPeriodicals 606 $aDementia 606 $aDementia$2fast$3(OCoLC)fst00890050 606 $aPsychiatric social work$2fast$3(OCoLC)fst01081132 606 $aSocial work with older people$2fast$3(OCoLC)fst01199449 608 $aPeriodicals.$2fast 608 $aPeriodicals.$2lcgft 615 0$aPsychiatric social work 615 0$aSocial work with older people 615 0$aDementia 615 12$aDementia. 615 7$aDementia. 615 7$aPsychiatric social work. 615 7$aSocial work with older people. 676 $a616.83 906 $aJOURNAL 912 $a996251304603316 996 $aDementia$91940618 997 $aUNISA LEADER 03433nam 22007092 450 001 9910812422403321 005 20160415145156.0 010 $a1-139-79305-5 010 $a1-316-08665-8 010 $a1-139-77867-6 010 $a0-511-76137-6 010 $a1-107-25322-5 010 $a1-139-78166-9 010 $a1-139-77563-4 010 $a1-283-71561-9 010 $a1-139-77715-7 035 $a(CKB)2550000000708235 035 $a(EBL)1042396 035 $a(OCoLC)818817497 035 $a(SSID)ssj0000704141 035 $a(PQKBManifestationID)11422423 035 $a(PQKBTitleCode)TC0000704141 035 $a(PQKBWorkID)10692855 035 $a(PQKB)10527352 035 $a(UkCbUP)CR9780511761379 035 $a(MiAaPQ)EBC1042396 035 $a(Au-PeEL)EBL1042396 035 $a(CaPaEBR)ebr10618607 035 $a(CaONFJC)MIL402811 035 $a(EXLCZ)992550000000708235 100 $a20141103d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aActors and acting in Shakespeare's time $ethe art of stage playing /$fJohn H. Astington$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2010. 215 $a1 online resource (vii, 252 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-19250-1 311 $a0-521-14077-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction : the purpose of playing -- Shadows, jests, and counterfeits -- Playing and education -- Apprentices -- Playing many parts -- Players at work -- Conclusion -- Appendix : principal actors 1558-1660. 330 $aJohn Astington brings the acting style of the Shakespearean period to life, describing and analysing the art of the player in the English professional theatre between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theatre at various times over the course of roughly one hundred years - 1558-1660. Perfect for courses, this survey takes into account recent discoveries about actors and their social networks, about apprenticeship and company affiliations, and about playing outside the major centre of theatre, London. Astington considers the educational tradition of playing, in schools, universities, legal inns, and choral communities, in comparison to the work of the professional players. A comprehensive biographical dictionary of all major professional players of the Shakespearean period is included as a handy reference guide. 517 3 $aActors & Acting in Shakespeare's Time 606 $aTheater$zEngland$xHistory$y16th century 606 $aTheater$zEngland$xHistory$y17th century 606 $aActing$xHistory$y16th century 606 $aActing$xHistory$y17th century 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aActing$xHistory 615 0$aActing$xHistory 676 $a792.0942/09031 700 $aAstington$b John$0476933 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910812422403321 996 $aActors and acting in Shakespeare's time$9238866 997 $aUNINA