LEADER 03619oam 2200733M 450 001 9910781392203321 005 20230814231809.0 010 $a0-429-91055-X 010 $a0-429-89632-8 010 $a0-429-47155-6 010 $a1-283-06892-3 010 $a9786613068927 010 $a1-84940-375-9 035 $a(CKB)2550000000033001 035 $a(EBL)690250 035 $a(OCoLC)723945247 035 $a(SSID)ssj0000528256 035 $a(PQKBManifestationID)12176214 035 $a(PQKBTitleCode)TC0000528256 035 $a(PQKBWorkID)10545574 035 $a(PQKB)11072491 035 $a(MiAaPQ)EBC690250 035 $a(Au-PeEL)EBL690250 035 $a(CaPaEBR)ebr10464056 035 $a(CaONFJC)MIL306892 035 $a(OCoLC)729247004 035 $a(FlBoTFG)9780429471551 035 $a(OCoLC)1031868691 035 $a(OCoLC-P)1031868691 035 $a(EXLCZ)992550000000033001 100 $a20180419d2018 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAcquainted with the Night $ePsychoanalysis and the Poetic Imagination /$fHamish Canham 205 $aFirst edition. 210 1$aLondon :$cTaylor and Francis,$d2018. 215 $a1 online resource (234 p.) 225 1 $aTavistock Clinic series 300 $aDescription based upon print version of record. 311 $a0-367-32396-6 311 $a1-85575-963-2 320 $aIncludes bibliographical references and index. 327 $aCOVER; CONTENTS; ACKNOWLEDGEMENTS; SERIES EDITOR'S PREFACE; FOREWORD; CONTRIBUTORS; Introduction; CHAPTER ONE The vale of soul-making; CHAPTER TWO ""First time ever"": writing the poem in potential space; CHAPTER THREE Wordless words: poetry and the symmetry of being; CHAPTER FOUR The poet and the superego: Klein, Blake and the Book of the Prophet Ezekiel; CHAPTER FIVE ""Time will come and take my love away"": love and loss in three of S hakespearers sonnets; CHAPTER SIX The preacher, the poet, and the psychoanalyst 327 $aCHAPTER SEVEN Ghosts in the landscape: Thomas Hardy and the poetry of ""shapes that reveries limn""CHAPTER EIGHT The elusive pursuit of insight: three poems by W. B. Yeats and the human task; CHAPTER NINE ""Feeling into Words"": evocations of childhood in the poems of Seamus Heaney; INDEX 330 2 $a"This book explores some of the ways in which an understanding of poetry, and the poetic impulse, can be fruitfully informed by psychoanalytic ideas. It could be argued that there is a particular affinity between poetry and psychoanalysis, in that both pay close attention to the precise meanings of linguistic expression, and both, though in different ways, are centrally concerned with unconscious processes. The contributors to this volume, nearly all of them clinicians with a strong interest in literature, explore this connection in a variety of ways, focusing on the work of particular poets, from the prophet Ezekiel to Seamus Heaney. Part of the Tavistock Clinic Series."--Provided by publisher. 410 0$aTavistock Clinic series. 606 $aPsychoanalysis and literature 606 $aPoetry$xHistory and criticism 606 $aPsycholinguistics 615 0$aPsychoanalysis and literature. 615 0$aPoetry$xHistory and criticism. 615 0$aPsycholinguistics. 676 $a800 676 $a809.1 700 $aCanham$b Hamish$01521519 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910781392203321 996 $aAcquainted with the Night$93760776 997 $aUNINA LEADER 04874nam 2200733 a 450 001 996248337703316 005 20230126202706.0 010 $a0-674-06289-2 024 7 $a10.4159/harvard.9780674062894 035 $a(CKB)2550000000074653 035 $a(CaPaEBR)ebrary10518213 035 $a(SSID)ssj0000551723 035 $a(PQKBManifestationID)11404098 035 $a(PQKBTitleCode)TC0000551723 035 $a(PQKBWorkID)10538223 035 $a(PQKB)10424984 035 $a(MiAaPQ)EBC3301003 035 $a(DE-B1597)178286 035 $a(OCoLC)768123028 035 $a(OCoLC)979626929 035 $a(DE-B1597)9780674062894 035 $a(Au-PeEL)EBL3301003 035 $a(CaPaEBR)ebr10518213 035 $a(dli)HEB32475 035 $a(MiU) MIU01100000000000000000567 035 $a(EXLCZ)992550000000074653 100 $a20110616d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMoscow, the fourth Rome $eStalinism, cosmopolitanism, and the evolution of Soviet culture, 1931-1941 /$fKaterina Clark 210 $aCambridge, Mass. $cHarvard University Press$d2011 215 $a1 online resource (431 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-674-05787-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction: The Cultural Turn --$tChapter 1. The Author as Producer: Cultural Revolution in Berlin and Moscow (1930-1931) --$tChapter 2. Moscow, the Lettered City --$tChapter 3. The Return of the Aesthetic --$tChapter 4. The Traveling Mode and the Horizon of Identity --$tChapter 5. "World Literature"/ "World Culture" and the Era of the Popular Front (c. 1935-1936) --$tChapter 6. Face and Mask: Theatricality and Identity in the Era of the Show Trials (1936-1938) --$tChapter 7. Love and Death in the Time of the Spanish Civil War (1936-1939) --$tChapter 8. The Imperial Sublime --$tChapter 9. The Battle over the Genres (1937-1941) --$tEpilogue --$tNotes --$tAcknowledgments --$tIndex 330 $aIn the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930's, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930's, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin. 517 3 $aStalinism, cosmopolitanism, and the evolution of Soviet culture, 1931-1941 606 $aCosmopolitanism$zRussia (Federation)$zMoscow$xHistory 606 $aPopular culture$zRussia (Federation)$zMoscow$xHistory 606 $aCommunism$zRussia (Federation)$zMoscow$xHistory 606 $aSocial change$zRussia (Federation)$zMoscow$xHistory 606 $aSocial change$zSoviet Union$xHistory 607 $aMoscow (Russia)$xHistory$y20th century 607 $aMoscow (Russia)$xIntellectual life$y20th century 607 $aSoviet Union$xHistory$y1925-1953 607 $aSoviet Union$xIntellectual life$y1917-1970 615 0$aCosmopolitanism$xHistory. 615 0$aPopular culture$xHistory. 615 0$aCommunism$xHistory. 615 0$aSocial change$xHistory. 615 0$aSocial change$xHistory. 676 $a947/.310842 700 $aClark$b Katerina$0458703 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248337703316 996 $aMoscow, the fourth Rome$92327750 997 $aUNISA