LEADER 03263nam 2200529zu 450 001 996248292903316 005 20210807005203.0 035 $a(CKB)3780000000081618 035 $a(SSID)ssj0000669092 035 $a(PQKBManifestationID)11390694 035 $a(PQKBTitleCode)TC0000669092 035 $a(PQKBWorkID)10705063 035 $a(PQKB)11596091 035 $a(EXLCZ)993780000000081618 100 $a20160829d2009 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$a"Make it yourself" : home sewing, gender, and culture, 1890-1930 210 31$a[Place of publication not identified]$cColumbia University Press$d2009 300 $aBibliographic Level Mode of Issuance: Monograph 327 $tIntroduction --$t[Intro] --$tHistoriography --$tSources --$tChapter Overview --$tChapter One: ?Sewed Considerable?: Home Sewing and the Meanings of Women's Domestic Work --$t[Intro] --$t?Women Just Sewed? --$tEconomy --$tMeeting Standards --$tFarm Culture --$tGood Wives --$tCaring Mothers --$tHelpful Neighbors and Citizens --$tConclusion --$tChapter Two: ?Boundless Possibilities? --$t[Intro] --$tMore than Pin Money --$tPleasure in Sewing --$t?Clothes that are mine? --$tMaking Over --$tChallenging and Asserting Respectability --$tMasking ? or Highlighting ? Ethnic and Class Distinctions --$tConclusion --$tChapter Three: ?When Mother Lets Us Sew?: Girls, Sewing, and Femininity --$t[Intro] --$tLearning at Home --$tSchools, Race, and Class --$tSettlement Houses, Scouting, and Clubs --$tKnow How To? --$t?How I hate sewing!? --$tConclusion --$tChapter Four: Commodifying ?Domestic Virtues?: Business and Home Sewing --$t[Intro] --$tSewing and the U.S. Economy --$tTextiles --$tSewing Machines --$tTissue Paper Patterns --$tMagazines and Books --$tFacing the Changes in Home Sewing --$tNew Business Strategies --$tConclusion --$tChapter Five: Clothing for Sport: Home Sewing as a Laboratory for New Standards --$t[Intro] --$tChanging Views of Women and Sport --$tWhat to Wear? --$tEmancipation and Trepidation --$t?Any Desired Length? --$tChanging Definitions of Modesty --$tConclusion --$tEpilogue --$tInterviews --$tSusan Sews a Skirt 517 $a"Make It Yourself" 606 $aSewing$xHistory$y19th century$zUnited States 606 $aSewing$xHistory$y20th century$zUnited States 606 $aHome economics$xHistory$y19th century$zUnited States 606 $aHome economics$xHistory$y20th Century$zUnited States 606 $aSex role$xHistory$y19th century$zUnited States 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aArts & Crafts$2HILCC 607 $aUnited States$xSocial life and customs 615 0$aSewing$xHistory 615 0$aSewing$xHistory 615 0$aHome economics$xHistory 615 0$aHome economics$xHistory 615 0$aSex role$xHistory 615 7$aArt, Architecture & Applied Arts 615 7$aArts & Crafts 676 $a646.20973 676 $a646.40097309041 700 $aGordon$b Sarah A$01006100 801 0$bPQKB 906 $aBOOK 912 $a996248292903316 996 $a"Make it yourself" : home sewing, gender, and culture, 1890-1930$92314761 997 $aUNISA LEADER 02537nam 2200541 450 001 9910817188803321 005 20230119120337.0 010 $a84-9116-449-9 035 $a(CKB)3710000001021756 035 $a(MiAaPQ)EBC4776233 035 $a(OCoLC)992013027 035 $a(FlNmELB)ELB58572 035 $a(MiAaPQ)EBC7051402 035 $a(Au-PeEL)EBL7051402 035 $a(EXLCZ)993710000001021756 100 $a20230119d2016 uy 0 101 0 $aspa 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aLos nuevos he?roes del siglo XXI $elas migraciones subsaharianas vistas por el cine en Espan?a y A?frica /$fLidia Peralta Garci?a ; preface by Miguel Chaparro 210 1$aBarcelona, Spain :$cEditorial UOC,$d[2016] 210 4$d©2016 215 $a1 online resource (232 pa?ginas) $cilustraciones 225 1 $aColeccio?n UOCPress ;$v44 311 $a84-9116-448-0 320 $aIncludes bibliographical references (pages [219]-227). 330 $aTodo tipo de historias tienen cabida en los movimientos migratorios. Son historias que nos hablan de los ricos, y también de los pobres, de éxito, y también de fracaso. España se convirtió a partir de la década de 1970 en un país receptor de migrantes procedentes del África subsahariana. Por encima de las coyunturas politicoeconómicas, el cine ha intentado reflejar esta realidad desde el lenguaje que mejor conoce: el de los valores universales. Este libro propone un recorrido por los ciclos migratorios procedentes del continente africano a través del cine realizado en España. Al hacerlo, desea rendir también tributo a todos los migrantes que han aceptado compartir su vida y sus experiencias con la gran pantalla. 410 0$aColeccio?n UOCPress ;$v44. 606 $aEmigration and immigration in motion pictures 606 $aNorth Africans in motion pictures 606 $aMotion pictures$zAfrica$xHistory 606 $aMotion pictures$zSpain$xHistory 615 0$aEmigration and immigration in motion pictures. 615 0$aNorth Africans in motion pictures. 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures$xHistory. 676 $a791.43/6552 700 $aPeralta Garci?a$b Lidia$01268716 702 $aChaparro$b Miguel 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817188803321 996 $aLos nuevos he?roes del siglo XXI$94088801 997 $aUNINA