LEADER 03184nam  2200661Ia 450 
001 996248274703316
005 20200520144314.0
010   $a9786613291851
010   $a1-283-29185-1
010   $a0-520-95013-5
024 7 $a10.1525/9780520950139
035   $a(CKB)2670000000398624
035   $a(EBL)784538
035   $a(OCoLC)756484689
035   $a(SSID)ssj0000554495
035   $a(PQKBManifestationID)11336504
035   $a(PQKBTitleCode)TC0000554495
035   $a(PQKBWorkID)10512754
035   $a(PQKB)11263192
035   $a(MiAaPQ)EBC784538
035   $a(OCoLC)760992248
035   $a(MdBmJHUP)muse30889
035   $a(DE-B1597)519622
035   $a(OCoLC)1027620256
035   $a(DE-B1597)9780520950139
035   $a(Au-PeEL)EBL784538
035   $a(CaPaEBR)ebr10504615
035   $a(CaONFJC)MIL329185
035   $a(EXLCZ)992670000000398624
100   $a20110509d2012      ub             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinema and experience$b[electronic resource] $eSiegfried Kracauer, Walter Benjamin, and Theodor W. Adorno /$fMiriam Bratu Hansen
210   $aBerkeley $cUniversity of California Press$dc2012
215   $a1 online resource (406 p.)
225 1 $aWeimar and now: German cultural criticism ;$v44
300   $aDescription based upon print version of record.
311   $a0-520-26559-9 
311   $a0-520-26560-2 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tPreface --$tAcknowledgments --$tAbbreviations --$t1. Film, Medium of a Disintegrating World --$t2. Curious Americanism --$t3. Actuality, Antinomies --$t4. Aura. The Appropriation of a Concept --$t5. Mistaking the Moon for a Ball --$t6. Micky-Maus --$t7. Play-Form of Second Nature --$t8. The Question of Film Aesthetics --$t9. Theory of Film --$tNotes --$tIndex
330   $aSiegfried Kracauer, Walter Benjamin, and Theodor W. Adorno-affiliated through friendship, professional ties, and argument-developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960's. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
410  0$aWeimar and now ;$v44.
606   $aMotion pictures
608   $aElectronic books.
615  0$aMotion pictures.
676   $a791.4309
686 0 $aAP 45400$2rvk
700   $aHansen$b Miriam$f1949-2011.$0603366
702   $aDimendberg$b Edward, $4edt$4http://id.loc.gov/vocabulary/relators/edt
801  0$bMiAaPQ
906   $aBOOK
912   $a996248274703316
996   $aCinema and experience$92371522
997   $aUNISA