LEADER 01136nam--2200385---450- 001 990005833720203316 005 20130422112007.0 010 $a0-415-01914-1 035 $a000583372 035 $aUSA01000583372 035 $a(ALEPH)000583372USA01 035 $a000583372 100 $a20130422d1990----km-y0itay50------ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aImage and idea in fifth-century Greece$eart and literature after the persian wars$fE.D. Francis$gedited by Michael Vickers 210 $aLondon$aNew York$cRoutledge$d1990 215 $aX,156 p.$cill.$d22 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 606 0 $aArte [e] Società$yGrecia antica$2BNCF 676 $a700.938 700 1$aFRANCIS,$bEric David$0443307 702 1$aVICKERS,$bMichael 801 0$aIT$bsalbc$gISBD 912 $a990005833720203316 951 $aCI 252$b2314 DSA 959 $aBK 969 $aDSA 979 $aDSA$b90$c20130422$lUSA01$h1118 979 $aDSA$b90$c20130422$lUSA01$h1120 996 $aImage and idea in fifth-century Greece$986406 997 $aUNISA LEADER 04202nam 22006732 450 001 996248272903316 005 20160225094916.0 010 $a0521847469 010 $a1-107-15272-0 010 $a1-281-21793-X 010 $a9786611217938 010 $a0-511-13251-4 010 $a0-511-13282-4 010 $a0-511-20086-2 010 $a0-511-33136-3 010 $a0-511-48612-X 010 $a0-511-13228-X 035 $a(CKB)1000000000352615 035 $a(SSID)ssj0000141248 035 $a(PQKBManifestationID)11911811 035 $a(PQKBTitleCode)TC0000141248 035 $a(PQKBWorkID)10079728 035 $a(PQKB)11550856 035 $a(UkCbUP)CR9780511486128 035 $a(MiAaPQ)EBC241092 035 $a(EXLCZ)991000000000352615 100 $a20090226d2005|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDrama, theatre, and identity in the American New Republic /$fJeffrey H. Richards$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2005. 215 $a1 online resource (xi, 392 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in American theatre and drama ;$v22 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-06668-9 311 $a0-521-84746-X 320 $aIncludes bibliographical references (p. 362-383) and index. 327 $aIntroduction: American identities and the transatlantic stage. -- Staging revolution at the margins of celebration. -- Revolution and unnatural identity in Cre?vecoeur's "Landscapes" -- British author, American text: The Poor Soldier in the new republic. -- American author, British source: writing revolution in Murray's Traveller Returned. -- Patriotic interrogations: committees of safety in early American drama. -- Dunlap's queer Andre?: versions of revolution and manhood. -- Coloring identities: race, religion, and the exotic. -- Susanna Rowson and the dramatized Muslim. -- James Nelson Barker and the stage American Native. -- American stage Irish in the early republic. -- Black theatre, white theatre, and the stage African. -- Theatre, culture, and reflected identity. -- Tales of the Philadelphia Theatre: Ormond, national performance, and supranational identity. -- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800. -- After The Contrast: Tyler, civic virtue, and the Boston stage. 330 $aDrama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography. 410 0$aCambridge studies in American theatre and drama ;$v22. 517 3 $aDrama, Theatre, & Identity in the American New Republic 606 $aTheater and society$zUnited States 606 $aTheater$zUnited States$xHistory$y18th century 606 $aNational characteristics, American 615 0$aTheater and society 615 0$aTheater$xHistory 615 0$aNational characteristics, American. 676 $a306.48480973 700 $aRichards$b Jeffrey H.$0958032 712 02$aProQuest (Firm) 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996248272903316 996 $aDrama, theatre, and identity in the American New Republic$92314755 997 $aUNISA LEADER 01489nam 2200337Ia 450 001 996388265103316 005 20200824132102.0 035 $a(CKB)1000000000637990 035 $a(EEBO)2240946105 035 $a(OCoLC)ocm15715174e 035 $a(OCoLC)15715174 035 $a(EXLCZ)991000000000637990 100 $a19870520d1660 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe faithful analist, or, The epitome of English history$b[electronic resource] $egiving a true account of the affairs this nation from the building of the tower of London in the day of William the Conquerour to the throwing down the gates of the said city by the command of the Parliament, which sate before the secluded members were admitted in the year 1660, in which all things remarkable both by sea and land from the year 1069 to this present year of 1660, are truly and exactly represented 210 $aLondon $cPrint. for R. Gilbertson ...$d[1660] 215 $a[32], 369 p 300 $aAttributed by Wing to W.G. 300 $aDedication signed: W.G. 300 $aImperfect: pages stained and torn with some loss of print. 300 $aReproduction of original in the Huntington Library. 330 $aeebo-0113 607 $aGreat Britain$xHistory 700 $aW. G$01007431 801 1$bEAE 801 2$bWaOLN 906 $aBOOK 912 $a996388265103316 996 $aThe faithful analist, or, The epitome of English history$92412825 997 $aUNISA