LEADER 04281oam 22007214a 450 001 996248270703316 005 20210129211644.0 010 $a9786155225567 010 $a615-5225-56-7 010 $a1-283-64097-X 024 7 $a2027/heb31994 035 $a(CKB)2670000000281025 035 $a(EBL)3137344 035 $a(SSID)ssj0000755575 035 $a(PQKBManifestationID)11393162 035 $a(PQKBTitleCode)TC0000755575 035 $a(PQKBWorkID)10731009 035 $a(PQKB)11314177 035 $a(MiAaPQ)EBC3137344 035 $a(OCoLC)815970239 035 $a(MdBmJHUP)muse22282 035 $a(DE-B1597)633197 035 $a(DE-B1597)9786155225567 035 $a(dli)HEB31994 035 $a(MiU) MIU01100000000000000000061 035 $a(EXLCZ)992670000000281025 100 $a20120517d2012 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aEmbracing Arms$eCultural Representation of Slavic and Balkan Women in War /$f[edited by] Helena Goscilo & Yana Hashamova 210 1$aNew York :$cCentral European University Press,$d2012. 210 3$aBaltimore, Md. :$cProject MUSE,$d2013 210 4$dİ2012. 215 $a1 online resource (364 p.) 300 $aDescription based upon print version of record. 311 0 $a615-5225-09-5 320 $aIncludes bibliographical references and index. 327 $a""Cover ""; ""Title page ""; ""Copyright page ""; ""Table of Contents""; ""Preface and Acknowledgments""; ""Introduction""; ""I. WORLD WAR II""; ""Film and Television""; ""Chapter 1 Invisible Deaths: Polish Cinema's Representation of Women in World War II""; ""Chapter 2 She Defends His Motherland: The Myth of Mother Russia in Soviet Maternal Melodrama of the 1940's "; ""Chapter 3 Flight without Wings: The Subjectivity of a Female War Veteran in Larisa Shepitko's Wings (1966)"" 327 $a""Chapter 4 Gender(ed) Games: Romance, Slapstick, and Ideology in the Polish Television Series Four Tank Men and a Dog"" ""Literature, Graphics, Song""; ""Chapter 5 Rage in the City of Hunger: Body, Talk, and the Politics of Womanliness in Lidia Ginzburg's Notes from the Siege of Leningrad""; ""Chapter 6 Graphic Womanhood under Fire""; ""Chapter 7 Songs of Women Warriors and Women Who Waited""; ""II. Recent Wars ""; ""Chapter 8 "Black Widows": Women as Political Combatants in the Chechen Conflict""; ""Chapter 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood"" 327 $a""Chapter 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood"" ""Chapter 10 Dubravka Ugre's War Museum: Approaching the Point of Pain""; ""List of Contributors""; ""Index""; ""Illustrations ""; ""Back cover "" 330 $aDiscursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task?destroy the enemy?but impose a series of often contradictory expectations on women. The essays in the book establish links between political ideology, history, psychology, cultural studies, cinema, literature, and gender studies and addresses questions such as? what is the role of women in war or military conflicts beyond the well-studied victimization? Can the often contradictory expectations of women and their traditional roles be (re)thought and (re)constructed? How do cultural representations of women during war times reveal conflicting desires and poke holes in the ideological apparatus of the state and society? 517 3 $aCultural representation of Slavic and Balkan women in war 606 $aWomen and war$zBalkan Peninsula 606 $aWomen and war$zSlavic countries 606 $aWomen in mass media 606 $aWar in mass media 610 $aFilm, Gender studies, Literature, Media, Political violence, Women, Women and war, World War II. 615 0$aWomen and war 615 0$aWomen and war 615 0$aWomen in mass media. 615 0$aWar in mass media. 676 $a355.02082 701 $aHashamova$b Yana$0866363 701 $aGoscilo$b Helena$f1945-$0880358 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996248270703316 996 $aEmbracing Arms$92381232 997 $aUNISA