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100   $a19930510d1993      ub         0
101 0 $aeng
135   $aurmnummmmuuuu
181   $ctxt
182   $cc
183   $acr
200 14$aThe magnificent Ambersons $ea reconstruction /$fRobert L. Carringer
205   $a1 frontisp., Reprint 2020
210   $aBerkeley $cUniversity of California Press$dc1993
215   $a1 online resource (x, 307 p. )$cill. ;
300   $aBibliographic Level Mode of Issuance: Monograph
311 0 $a0-520-07857-8 
320   $aIncludes bibliographical references.
327   $tFront matter --$tCONTENTS --$tACKNOWLEDGMENTS --$tINTRODUCTION --$tOEDIPUS IN INDIANAPOLIS --$t2. A NOTE ON TEXTUAL PRACTICE --$t3. AN AMBERSON FAMILY CHRONOLOGY --$tTHE MAGNIFICENT AMBERSONS --$t5. EDITING AMBERSONS: A DOCUMENTARY HISTORY --$tCAST --$tBIBLIOGRAPHY
330   $aOrson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, "They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive.    Now film scholar Robert Carringer has reconstructed Welles's own version of Ambersons, using all available surviving evidence including rare studio documents and the recollections of Welles himself and other original participants in the film.    Carringer reaches startling conclusions about where the responsibility for the film's undoing ultimately lies. His spellbinding--and no doubt controversial--book will be eagerly welcomed by film historians and enthusiasts.
410  0$aACLS Humanities E-Book.
676   $a791.43/72
700   $aCarringer$b Robert L$0776930
712 02$aAmerican Council of Learned Societies.
801  0$bNyNyACL
801  1$bNyNyACL
906   $aBOOK
912   $a996248246203316
996   $aThe Magnificent Ambersons$92306434
997   $aUNISA