LEADER 03804nam 22005295 450 001 996248243803316 005 20210701031056.0 010 $a0-520-91470-8 024 7 $a10.1525/9780520914704 035 $a(CKB)3360000000000552 035 $a(MH)005271241-9 035 $a(DE-B1597)543637 035 $a(OCoLC)1149432167 035 $a(DE-B1597)9780520914704 035 $a(EXLCZ)993360000000000552 100 $a20200424h19951995 fg 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFields of Vision $eEssays in Film Studies, Visual Anthropology, and Photography /$fRoger Hillman, Leslie Devereaux 205 $aReprint 2019 210 1$aBerkeley, CA :$cUniversity of California Press,$d[1995] 210 4$dİ1995 215 $a1 online resource (xiv, 362 p. )$cill. ; 311 0 $a0-520-08524-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tLIST OF ILLUSTRATIONS --$tAcknowledgements --$t1 An Introductory Essay --$t2 The National --$t3 The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage --$t4 Experience, Re-presentation, and Film --$t5 Photography and Film --$t6 Modernism and the Photographic Representation of War and Destruction --$t7 Horror and the Carnivalesque --$t8 Barrymore, the Body, and Bliss --$t9 Narrative, Sound, and Film --$t10 Novel into Film --$t11 The Subjective Voice in Ethnographic Film --$t12 Mediating Culture --$t13 The Pressure of the Unconscious upon the Image --$t14 Robert Gardner's Rivers of Sand --$t15 Cultures, Disciplines, Cinemas --$tContributors --$tIndex 330 $aFilmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures. From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and societies. Always asking how images work to produce meaning, the essays address the way the "real" on film creates fantasy, news, as well as "science," and considers this problematic process as cultural boundaries are crossed. One essay discusses the effects of Hollywood's high-capital, world-wide commercial hegemony on local and non-Western cinemas, while another explores the response of indigenous people in central Australia to the forces of mass media and video. Other essays uncover the work of the unconscious in cinema, the shaping of "female spectatorship" by the "women's film" genre of the 1920's, and the effects of the personal and subjective in documentary films and the photographs of war reportage. -- Back cover. 606 $aMotion pictures 606 $aMotion pictures in ethnology 606 $aVisual anthropology 606 $aPhotography 608 $aElectronic books 615 0$aMotion pictures. 615 0$aMotion pictures in ethnology. 615 0$aVisual anthropology. 615 0$aPhotography. 676 $a302.23/43 702 $aDevereaux$b Leslie$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aHillman$b Roger$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 906 $aBOOK 912 $a996248243803316 996 $aFields of vision$973722 997 $aUNISA