LEADER 02523nam 22005655 450 001 996248240103316 005 20200707022542.0 010 $a0-520-91025-7 010 $a0-585-29948-X 024 7 $a10.1525/9780520910256 035 $a(CKB)111057870439076 035 $a(SSID)ssj0000125329 035 $a(PQKBManifestationID)12000229 035 $a(PQKBTitleCode)TC0000125329 035 $a(PQKBWorkID)10026871 035 $a(PQKB)10745325 035 $a(DE-B1597)542996 035 $a(DE-B1597)9780520910256 035 $a(OCoLC)1163879273 035 $a(EXLCZ)99111057870439076 100 $a20200707h19911991 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aComedy/Cinema/Theory /$fAndrew Horton 205 $aReprint 2019 210 1$aBerkeley, CA : $cUniversity of California Press, $d[1991] 210 4$dİ1991 215 $a1 online resource (264 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-520-07040-2 311 $a0-520-06997-8 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $tNotes on the Sight Gag -- $tPenis-size Jokes and Their Relation to Hollywood's Unconscious -- $tSometimes I Feel Like a Motherless Child: Comedy and Matricide -- $tIn Search of Radical Metacinema -- $tMock Realism: The Comedy of Futility in Eastern Europe -- $tCharles Chaplin and the Annals of Anality -- $tThe Light Side of Genius: Hitchcock's Mr. and Mrs. Smith in the Screwball Tradition -- $tCartoon and Narrative in the Films of Frank Tashlin and Preston Sturges -- $tThe Three Stooges and the (Anti-)Narrative of Violence: De(con)structive Comedy -- $tParalysis in Motion: Jerry Lewis's Life as a Man -- $tWoody Allen's Zelig: An American Jewish Parody -- $tThe Mouse Who Wanted to F?k a Cow: Cinematic Carnival Laughter in Dusan Makavejev's Films -- $tSelected Bibliography and Works Cited -- $tContributors -- $tIndex 606 $aComedy films$xHistory and criticism 606 $aComic, The 606 $aFilm$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 615 0$aComedy films$xHistory and criticism 615 0$aComic, The 615 7$aFilm 615 7$aMusic, Dance, Drama & Film 676 $a791.43/617 702 $aHorton$b Andrew, $4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 906 $aBOOK 912 $a996248240103316 996 $aComedy$979396 997 $aUNISA LEADER 01675nam 2200433 450 001 9910821967803321 005 20230803202911.0 010 $a1-78319-627-0 035 $a(CKB)3710000000123889 035 $a(EBL)1672605 035 $a(MiAaPQ)EBC1672605 035 $a(Au-PeEL)EBL1672605 035 $a(OCoLC)881165222 035 $a(EXLCZ)993710000000123889 100 $a20220707d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe dead dogs /$fJon Fosse 210 1$aLondon :$cOberon Books,$d2014. 215 $a1 online resource (213 p.) 225 1 $aOberon modern plays 300 $aDescription based upon print version of record. 311 $a1-78319-128-7 327 $aCover; Half-title Page; Title Page; Copyright; Contents; Characters; First Act; I; II; Second Act; III; IV 330 $aA young man lives alone with his mother and his beloved dog in a house in a small village overlooking the fjord. The dog has run off and gone missing. This has never happened before... In The Dead Dogs, lives are shockingly disrupted by an event that changes the direction of their future. Fosse's drama explores life lived in unexpected ways, with a sense of otherness pervading the present and colouring the characters' relationships. 410 0$aOberon modern plays. 608 $aDrama. 676 $a839.82374 700 $aFosse$b Jon$0542884 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821967803321 996 $aThe dead dogs$94063005 997 $aUNINA