LEADER 01039nam0-22003251i-450- 001 990004395270403321 005 20141217133916.0 010 $a88-7006-387-9 035 $a000439527 035 $aFED01000439527 035 $a(Aleph)000439527FED01 035 $a000439527 100 $a19990604d2001----km-y0itay50------ba 101 0 $aspa 102 $aIT 105 $ay-------001yy 200 1 $a<>cancionero profano de Alfonso 10. el Sabio$fedición critica, con introducción, notas y glosario [por] Juan Paredes 210 $aL'Aquila$cJapadre$dc2001 215 $a466 p.$d19 cm 225 1 $aRomanica vulgaria$ecollezione di testi medievale$hSezione A$iPoesia lirica$v10 676 $a869.11 700 0$aAlfonso$c$0169164 702 1$aParedes,$bJuan 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004395270403321 952 $a869.11 ALF 1$bBibl.50124$fFLFBC 959 $aFLFBC 996 $aCancionero profano de Alfonso 10. el Sabio$9543719 997 $aUNINA LEADER 03098nam 22006015 450 001 996248237503316 005 20210120000823.0 010 $a0-520-91642-5 010 $a0-585-11457-9 024 7 $a10.1525/9780520916425 035 $a(CKB)111057870447326 035 $a(SSID)ssj0000122280 035 $a(PQKBManifestationID)11999524 035 $a(PQKBTitleCode)TC0000122280 035 $a(PQKBWorkID)10123882 035 $a(PQKB)11704891 035 $a(DE-B1597)543800 035 $a(DE-B1597)9780520916425 035 $a(OCoLC)1163878023 035 $a(EXLCZ)99111057870447326 100 $a20200707h19951995 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCinema and the Invention of Modern Life /$fVanessa R. Schwartz, Leo Charney 205 $aReprint 2019 210 1$aBerkeley, CA :$cUniversity of California Press,$d[1995] 210 4$d©1995 215 $a1 online resource (424 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-520-20112-4 311 $a0-520-20111-6 327 $tFrontmatter --$tCONTENTS --$tACKNOWLEDGMENTS --$tIntroduction --$tONE. Tracing the Individual Body: Photography, Detectives, and Early Cinema --$tTWO. Unbinding Vision: Manet and the Attentive Observer in the Late Nineteenth Century --$tTHREE. Modernity, Hyperstimulus, and the Rise of Popular Sensationalism --$tFOUR. The Poster in Fin-de-Siècle Paris: ?That Mobile and Degenerate Art? --$tFIVE. ?A New Era of Shopping?: The Promotion of Women?s Pleasure in London?s West End, 1909-1914 --$tSIX. Disseminations of Modernity: Representation and Consumer Desire in Early Mail-Order Catalogs --$tSEVEN. The Perils of Pathé, or the Americanization of Early American Cinema¹ --$tEIGHT. Panoramic Literature and the Invention of Everyday Genres --$tNINE. Moving Pictures: Photography, Narrative, and the Paris Commune of 1871 --$tTEN. In a Moment: Film and the Philosophy of Modernity --$tELEVEN. Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siécle Paris --$tTWELVE. Effigy and Narrative: Looking into the Nineteenth-Century Folk Museum --$tTHIRTEEN. America, Paris, the Alps: Kracauer (and Benjamin) on Cinema and Modernity --$tCONTRIBUTORS --$tINDEX 606 $aMotion pictures$xSocial aspects$y20th century 606 $aPopular culture$xHistory 606 $aCulture in motion pictures 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aFilm$2HILCC 615 0$aMotion pictures$xSocial aspects 615 0$aPopular culture$xHistory 615 0$aCulture in motion pictures 615 7$aMusic, Dance, Drama & Film 615 7$aFilm 676 $a302.23/43 702 $aCharney$b Leo$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSchwartz$b Vanessa R.$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 906 $aBOOK 912 $a996248237503316 996 $aCinema and the Invention of Modern Life$91684257 997 $aUNISA LEADER 03135 am 22004933u 450 001 996360038003316 005 20211110142719.0 010 $a94-6298-994-X 024 7 $a10.5117/9789462989948 035 $a(CKB)4100000009845563 035 $a(OAPEN)1006378 035 $a(DE-B1597)545095 035 $a(OCoLC)1130227566 035 $a(DE-B1597)9789048542727 035 $aEBL6984448 035 $a(AU-PeEL)EBL6984448 035 $a(EXLCZ)994100000009845563 100 $a20191118d|||| uy 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aChinese Poetry and Translation: Rights and Wrongs 210 $aAmsterdam$cAmsterdam University Press$d2019 215 $a1 online resource (353) 300 $aDescription based upon print version of record. 311 $a90-485-4272-3 327 $tFrontmatter --$tTable of Contents --$tAcknowledgments --$tIntroduction --$tConventions --$t1 Sitting with Discomfort --$t2 Working with Words --$t3 Translating Great Distances --$t4 Purpose and Form --$t5 Embodiment in the Translation of Chinese Poetry --$t6. Translating Theory --$t7 Narrativity in Lyric Translation --$t8 Sublimating Sorrow --$t9 Mediation Is Our Authenticity --$t10 Ecofeminism avant la Lettre --$t11 Ronald Mar and the Trope of Life --$t12 Ya Xian's Lyrical Montage --$t13 Celan's "Deathfugue" in Chinese --$t14 Trauma in Translation --$t15 A Noble Art, and a Tricky Business --$tIndex 330 $aChinese Poetry and Translation: Rights and Wrongs offers fifteen essays on the triptych of poetry + translation + Chinese. The collection has three parts: "The Translator's Take," "Theoretics," and "Impact." The conversation stretches from queer-feminist engagement with China's newest poetry to philosophical and philological reflections on its oldest, and from Tang- and Song-dynasty classical poetry in Western languages to Baudelaire and Celan in Chinese. Translation is taken as an interlingual and intercultural act, and the essays foreground theoretical expositions and the practice of translation in equal but not opposite measure. Poetry has a transforming yet ever-acute relevance in Chinese culture, and this makes it a good entry point for studying Chinese-foreign encounters. Pushing past oppositions that still too often restrict discussions of translation-form versus content, elegance versus accuracy, and "the original" versus "the translated"-this volume brings a wealth of new thinking to the interrelationships between poetry, translation, and China. 606 $aChina$2bicssc 606 $aPoetry$2bicssc 610 $aTranslation, poetry, China. 615 7$aChina 615 7$aPoetry 676 $a895.11009 702 $aKlein$b Lucas$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $avan Crevel$b Maghiel$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996360038003316 996 $aChinese Poetry and Translation: Rights and Wrongs$91888112 997 $aUNISA