LEADER 03522nam 22007332 450 001 996248236003316 005 20221108071518.0 010 $a0-511-10300-X 010 $a1-107-12452-2 010 $a0-511-48179-9 010 $a1-280-43044-3 010 $a0-511-17717-8 010 $a0-511-04446-1 010 $a0-511-32993-8 010 $a0-511-15808-4 010 $a0-521-80737-9 024 7 $a2027/heb07682 035 $a(CKB)111082128285942 035 $a(dli)HEB07682 035 $a(SSID)ssj0000217629 035 $a(PQKBManifestationID)11228301 035 $a(PQKBTitleCode)TC0000217629 035 $a(PQKBWorkID)10203289 035 $a(PQKB)10163274 035 $a(UkCbUP)CR9780511481796 035 $a(Au-PeEL)EBL202135 035 $a(CaPaEBR)ebr10021926 035 $a(CaONFJC)MIL43044 035 $a(OCoLC)475916939 035 $a(MiAaPQ)EBC202135 035 $a(MiU)KOHA0000000000000000002799 035 $a(EXLCZ)99111082128285942 100 $a20090216d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPalestrina and the German romantic imagination $einterpreting historicism in nineteenth-century music /$fJames Garratt$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (xiv, 318 pages) $cdigital, PDF file(s) 225 1 $aMusical performance and reception 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-00196-X 311 $a0-511-02071-6 320 $aIncludes bibliographical references (p. 296-310) and index. 327 $tHistoricism in nineteenth-century art, aesthetics and culture --$tRomanticism and the problem of church music --$tProtestant Palestrina revival --$tCatholic Palestrina revival --$tPalestrina in the concert hall --$tInterpreting the secondary discourse of nineteenth-century music. 330 $aFocusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival. 410 0$aMusical performance and reception. 517 3 $aPalestrina & the German Romantic Imagination 606 $aMusic$y19th century$xHistory and criticism 606 $aChoral music 606 $aHistoricism 615 0$aMusic$xHistory and criticism. 615 0$aChoral music. 615 0$aHistoricism. 676 $a780/.9/034 700 $aGarratt$b James$f1974-$0845718 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996248236003316 996 $aPalestrina and the German romantic imagination$91887984 997 $aUNISA