LEADER 03893nam 22007812 450 001 996248225403316 005 20160415144924.0 010 $a0-511-08679-2 010 $a1-107-11781-X 010 $a0-511-00947-X 010 $a1-280-15392-X 010 $a0-511-11790-6 010 $a0-511-15047-4 010 $a0-511-48602-2 010 $a0-511-32468-5 010 $a0-511-04853-X 024 7 $a2027/heb07681 035 $a(CKB)111087027186776 035 $a(EBL)201566 035 $a(OCoLC)475915410 035 $a(SSID)ssj0000224018 035 $a(PQKBManifestationID)11213904 035 $a(PQKBTitleCode)TC0000224018 035 $a(PQKBWorkID)10205128 035 $a(PQKB)10629959 035 $a(UkCbUP)CR9780511486029 035 $a(Au-PeEL)EBL201566 035 $a(CaPaEBR)ebr5006324 035 $a(CaONFJC)MIL15392 035 $a(MiAaPQ)EBC201566 035 $a(dli)HEB07681 035 $a(MiU)KOHA0000000000000000002788 035 $a(EXLCZ)99111087027186776 100 $a20090226d1999|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe politics of Irish drama $eplays in context from Boucicault to Friel /$fNicholas Grene$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (xvii, 312 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in modern theatre 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-66536-1 311 $a0-521-66051-3 320 $aIncludes bibliographical references (p. 290-300) and index. 327 $a1. Stage interpreters -- 2. Strangers in the house -- 3. Shifts in perspective -- 4. Class and space in O'Casey -- 5. Reactions to revolution -- 6. Living on -- 7. Versions of pastoral -- 8. Murphy's Ireland -- 9. Imagining the other -- Conclusion: a world elsewhere. 330 $aIn this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself. 410 0$aCambridge studies in modern theatre. 606 $aEnglish drama$xIrish authors$xHistory and criticism 606 $aPolitics and literature$zIreland$xHistory$y19th century 606 $aPolitics and literature$zIreland$xHistory$y20th century 606 $aPolitical plays, English$xHistory and criticism 606 $aTheater$xPolitical aspects$zIreland 615 0$aEnglish drama$xIrish authors$xHistory and criticism. 615 0$aPolitics and literature$xHistory 615 0$aPolitics and literature$xHistory 615 0$aPolitical plays, English$xHistory and criticism. 615 0$aTheater$xPolitical aspects 676 $a822.009/358 700 $aGrene$b Nicholas$0166090 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996248225403316 996 $aThe politics of Irish drama$92306431 997 $aUNISA