LEADER 01186nam--2200397---450- 001 990002685290203316 005 20081002122418.0 010 $a88-7140-127-1 035 $a000268529 035 $aUSA01000268529 035 $a(ALEPH)000268529USA01 035 $a000268529 100 $a20051114h1998----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa|||z|||001yy 200 1 $a<> mura di Roma repubblicana$esaggio di archeologia romana$fGösta Säflund 205 $aRist. anast 210 $aRoma$cQuasar$dcopyr. 1998 215 $aXII, 278 p., 27 p. di tav.$cill.$d30 cm 300 $aRipr. facs. dell'ed.: Lund, C. W. K. Gleerup, 1932 410 0$12001 454 1 $12001 461 1$1001------$12001 607 $aRoma$xMura$zSec. 6.-1. a. C. 676 $a725.9609376 700 1$aSÄFLUND,$bGösta$0397183 801 0$aIT$bsalbc$gISBD 912 $a990002685290203316 951 $aXI 5 B 176 (X B 847)$b183231 L.M.$cXI 5 B$d00176608 959 $aBK 969 $aUMA 979 $aPECORARO$b90$c20051114$lUSA01$h1725 979 $aFIORELLA$b90$c20081002$lUSA01$h1224 996 $aMura di Roma repubblicana$986173 997 $aUNISA LEADER 02282nam 2200577 a 450 001 996248215103316 005 20221108022708.0 010 $a0-674-26677-3 010 $a0-674-04283-2 024 7 $a10.4159/9780674042834 035 $a(CKB)1000000000805591 035 $a(StDuBDS)AH23050861 035 $a(DE-B1597)457749 035 $a(OCoLC)1013942603 035 $a(OCoLC)456278859 035 $a(OCoLC)979969641 035 $a(DE-B1597)9780674042834 035 $a(Au-PeEL)EBL3300539 035 $a(CaPaEBR)ebr10318536 035 $a(OCoLC)923111705 035 $a(dli)HEB08243 035 $a(MiU)MIU01000000000000009855031 035 $a(MiAaPQ)EBC3300539 035 $a(EXLCZ)991000000000805591 100 $a20070416d2007 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe virtual life of film /$fD.N. Rodowick 210 $aCambridge, Mass. $cHarvard University Press$d2007 215 $a1 online resource (198 p. )$cill 300 $aIncludes index. 311 $a0-674-02698-5 320 $aIncludes bibliographical references. 327 $tFrontmatter --$tPreface --$tContents --$tIllustrations --$tI. The virtual life of film --$tII. What was cinema? --$tIII. A new landscape (without image) --$tAcknowledgments 330 $aAs almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century. 606 $aPhotography$xDigital techniques 606 $aDigital cinematography 615 0$aPhotography$xDigital techniques. 615 0$aDigital cinematography. 676 $a778.5/3 700 $aRodowick$b David Norman$0551236 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248215103316 996 $aVirtual life of film$91681380 997 $aUNISA