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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe virtual life of film /$fD.N. Rodowick
210   $aCambridge, Mass. $cHarvard University Press$d2007
215   $a1 online resource (198 p. )$cill
300   $aIncludes index.
311   $a0-674-02698-5 
320   $aIncludes bibliographical references.
327   $tFrontmatter --$tPreface --$tContents --$tIllustrations --$tI. The virtual life of film --$tII. What was cinema? --$tIII. A new landscape (without image) --$tAcknowledgments
330   $aAs almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
606   $aPhotography$xDigital techniques
606   $aDigital cinematography
615  0$aPhotography$xDigital techniques.
615  0$aDigital cinematography.
676   $a778.5/3
700   $aRodowick$b David Norman$0551236
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a996248215103316
996   $aVirtual life of film$91681380
997   $aUNISA