LEADER 02402nam 22006255 450 001 996248213003316 005 20210624001257.0 010 $a0-585-29940-4 010 $a0-520-91104-0 024 7 $a10.1525/9780520911048 035 $a(CKB)111057870440110 035 $a(dli)HEB08052 035 $a(SSID)ssj0000145554 035 $a(PQKBManifestationID)12053357 035 $a(PQKBTitleCode)TC0000145554 035 $a(PQKBWorkID)10156931 035 $a(PQKB)10182806 035 $a(DE-B1597)543610 035 $a(OCoLC)1149493147 035 $a(DE-B1597)9780520911048 035 $a(EXLCZ)99111057870440110 100 $a20200424h19921992 fg 101 0 $aeng 135 $aurmnummmmuuuu 181 $ctxt 182 $cc 183 $acr 200 10$aEloquent Gestures $eThe Transformation of Performance Style in the Griffith Biograph Films /$fRoberta E. Pearson 205 $aReprint 2019 210 1$aBerkeley, CA :$cUniversity of California Press,$d[1992] 210 4$dİ1992 215 $a1 online resource (x, 184 p. )$cill. ; 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-520-07366-5 311 0 $a0-520-07365-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$t1. Introduction --$t2. The Theatrical Heritage --$t3. The Histrionic and Verisimilar Codes in the Biograph Films --$t4. Performance Style and the Interaction of Signifying Practices --$t5. D. W. Griffith and the Biograph Company --$t6. Henry B. Walthall --$t7. Trade Press Discourse --$t8. Conclusion --$tNotes --$tBibliography --$tIndex 606 $aSilent films$zUnited States$xHistory 606 $aMotion picture acting 606 $aMovement (Acting) 606 $aSilent films$xHistory and criticism$zUnited States 606 $aMotion picture acting 615 0$aSilent films$xHistory. 615 0$aMotion picture acting. 615 0$aMovement (Acting) 615 0$aSilent films$xHistory and criticism 615 0$aMotion picture acting 676 $a791.43/0973 700 $aPearson$b Roberta E.$4aut$4http://id.loc.gov/vocabulary/relators/aut$01013493 712 02$aAmerican Council of Learned Societies. 801 0$bDE-B1597 906 $aBOOK 912 $a996248213003316 996 $aEloquent Gestures$92357074 997 $aUNISA