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100   $a20070507d2008      ub             0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aCinema and fascism$b[electronic resource] $eItalian film and society, 1922-1943 /$fSteven Ricci
210   $aBerkeley $cUniversity of California Press$dc2008
215   $a1 online resource (249 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-25355-8 
311 0 $a0-520-25356-6 
320   $aIncludes bibliographical references (p. 207-217) and index.
327   $tFront matter --$tContents --$tIllustrations --$tPreface --$tIntroduction --$t1. Amnesia and Historical Memory --$t2. The Political Economy of Italian Cinema, 1922-1943 --$t3. Leisure Time, Historiography, and Spectatorship --$t4. Italy and America: Fascination and (Re)Negotiation --$t5. The Fascist Codex --$tNotes --$tSelected Bibliography --$tIndex
330   $aThis study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history.
606   $aMotion pictures$zItaly$xHistory
606   $aFascism and motion pictures$zItaly$xHistory
606   $aMotion pictures$xSocial aspects$zItaly
608   $aElectronic books.
615  0$aMotion pictures$xHistory.
615  0$aFascism and motion pictures$xHistory.
615  0$aMotion pictures$xSocial aspects
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700   $aRicci$b Steven$0618081
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906   $aBOOK
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996   $aCinema and fascism$91683562
997   $aUNISA