LEADER 03342pam 2200349 a 450 001 996248198703316 005 20230829004504.0 010 $a0-226-76967-4 035 $a(CKB)3390000000018179 035 $a(MH)002459442-3 035 $a(EXLCZ)993390000000018179 100 $a19910819d1992 uy 0 101 0 $aeng 200 10$aMake room for TV $etelevision and the family ideal in postwar America /$fLynn Spigel$b[electronic resource] 210 0 $aChicago $cUniversity of Chicago Press$d1992 215 $a1 online resource (x, 236 p. )$cill. ; 320 $aIncludes bibliographical references (p. 189-225) and index. 327 $a1. Domestic Ideals and Family Amusements: From the Victorians to the Broadcast Age -- 2. Television in the Family Circle -- 3. Women's Work -- 4. The Home Theater -- 5. The People in the Theater Next Door. 330 $aBetween 1948 and 1955, nearly two-thirds of all American families bought a television set--and a revolution in social life and popular culture was launched. In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children? Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live. Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated--from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial. Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams. 531 $aMAKE ROOM FOR TV 606 $aTelevision and families$zUnited States 615 0$aTelevision and families 676 $a306.87 700 0$aSpigel$b Lynn$0877387 801 0$bDLC 801 1$bDLC 801 2$bDLC 906 $aBOOK 912 $a996248198703316 996 $aMake room for TV$92372275 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress