LEADER 04261nam 2201081Ia 450 001 996248198403316 005 20240410074521.0 010 $a1-282-76303-2 010 $a9786612763038 010 $a0-520-93783-X 010 $a1-59875-534-X 024 7 $a10.1525/9780520937833 035 $a(CKB)1000000000030671 035 $a(EBL)231918 035 $a(OCoLC)437146300 035 $a(SSID)ssj0000207003 035 $a(PQKBManifestationID)11199719 035 $a(PQKBTitleCode)TC0000207003 035 $a(PQKBWorkID)10235538 035 $a(PQKB)10312845 035 $a(MiAaPQ)EBC231918 035 $a(OCoLC)60312490 035 $a(MdBmJHUP)muse30768 035 $a(DE-B1597)519851 035 $a(OCoLC)1100519034 035 $a(DE-B1597)9780520937833 035 $a(Au-PeEL)EBL231918 035 $a(CaPaEBR)ebr10079972 035 $a(CaONFJC)MIL276303 035 $a(dli)HEB08118 035 $a(MiU)MIU01000000000000009841831 035 $a(EXLCZ)991000000000030671 100 $a20041012d2005 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aMuseum movies $ethe museum of modern art and the birth of art cinema /$fHaidee Wasson 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$d2005 215 $a1 online resource (331 p.) 225 1 $aSimpson imprint in humanities 300 $aDescription based upon print version of record. 311 0 $a0-520-24131-2 311 0 $a0-520-22777-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$t1. Making Cinema A Modern Art --$t2. Mannered Cinema/ Mobile Theaters --$t3. The Mass Museology Of The Modern --$t4. An Awkward And Dangerous Task --$t5. Rearguard Exhibition --$t6. Enduring Legacies --$tAppendix: Film Programs Of The Museum Of Modern Art, 1934-1949 --$tNotes --$tBibliography --$tIndex 330 $aHaidee Wasson provides a rich cultural history of cinema's transformation from a passing amusement to an enduring art form by mapping the creation of the Film Library of the Museum of Modern Art (MoMA), New York, established in 1935. The first North American film archive and museum, the film library pioneered an expansive moving image network, comprising popular, abstract, animated, American, Canadian, and European films. More than a repository, MoMA circulated these films nationally and internationally, connecting the modern art museum to universities, libraries, women's clubs, unions, archives, and department stores. Under the aegis of the museum, cinema also changed. Like books, paintings, and photographs, films became discrete objects, integral to thinking about art, history, and the politics of modern life. 410 0$aSimpson, imprint in humanities. 606 $aMotion pictures$xPreservation$zUnited States 606 $aMotion pictures$zUnited States$xHistory 610 $a1935. 610 $aamerican film. 610 $aart cinema. 610 $aart forms. 610 $aart history. 610 $abirth of art cinema. 610 $acanadian film. 610 $acinema scholars. 610 $acinemas transformation. 610 $acultural history. 610 $aeuropean film. 610 $afilm analysis. 610 $afilm archives. 610 $afilm historians. 610 $afilm history. 610 $afilm library. 610 $afilm museum. 610 $afilm students. 610 $ahistorical. 610 $ahistoriography. 610 $ainformation sciences. 610 $alibraries. 610 $amodern life. 610 $amodern politics. 610 $amoma. 610 $amovie theory. 610 $amuseum of modern art. 610 $anew york. 610 $apopular films. 610 $auniversities. 615 0$aMotion pictures$xPreservation 615 0$aMotion pictures$xHistory. 676 $a026/.79143/097471 700 $aWasson$b Haidee$f1970-$01006254 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248198403316 996 $aMuseum movies$92315298 997 $aUNISA