LEADER 02054nam 22004695 450 001 996248185803316 005 20201117175546.0 010 $a0-520-91828-2 010 $a0-585-11299-1 024 7 $a10.1525/9780520918283 035 $a(CKB)111063898763084 035 $a(dli)HEB08178 035 $a(DE-B1597)542734 035 $a(OCoLC)1149414638 035 $a(DE-B1597)9780520918283 035 $a(EXLCZ)99111063898763084 100 $a20200424h19981998 fg 101 0 $aeng 135 $aurmnummmmuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Films of Oshima Nagisa $eImages of a Japanese Iconoclast /$fMaureen Turim 205 $aReprint 2019 210 1$aBerkeley, CA :$cUniversity of California Press,$d[1998] 210 4$dİ1998 215 $a1 online resource (x, 314 p. )$cill. ; 311 $a0-520-20666-5 311 $a0-520-20665-7 320 $aIncludes bibliographical references (p. 291-297) and index. 327 $tFrontmatter --$tCONTENTS --$tACKNOWLEDGMENTS --$tCHAPTER ONE. Cultural Iconoclasm and Contexts of Innovation --$tCHAPTER TWO. Cruel Stories of Youth and Politics --$tCHAPTER THREE. Rituals, Desire, Death Leaving One's Will on Film --$tCHAPTER FOUR. Signs of Sexuality in Oshima's Tales of Passion --$tCHAPTER FIVE. Warring Subjects --$tCHAPTER SIX. Popular Song, Fantasies, and Comedies of Iconoclasm --$tCHAPTER SEVEN. Documents of Guilt and Empire --$tCHAPTER EIGHT. Feminist Troubles on a Map of Split Subjectivities --$tConclusion: Whither Oshima? --$tFILMOGRAPHY --$tBIBLIOGRAPHY --$tINDEX 410 0$aACLS Humanities E-Book. 606 $aNON-CLASSIFIABLE$2bisacsh 615 7$aNON-CLASSIFIABLE. 676 $a791.43/0233/092 700 $aTurim$b Maureen$4aut$4http://id.loc.gov/vocabulary/relators/aut$0679534 712 02$aAmerican Council of Learned Societies. 801 0$bDE-B1597 906 $aBOOK 912 $a996248185803316 996 $aThe Films of Oshima Nagisa$92406382 997 $aUNISA