LEADER 01079nam--2200373---450- 001 990001609470203316 005 20070507115650.0 035 $a000160947 035 $aUSA01000160947 035 $a(ALEPH)000160947USA01 035 $a000160947 100 $a20040427d1971----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $aa|||||||001yy 200 1 $aEleonora Duse$fClemente Fusero 210 $aMilano$cDall'Oglio$d1971 215 $a423 p., [18] c. di tav.$cill.$d22 cm 225 2 $aDonne celebri$v25 410 0$12001$aDonne celebri$v25 454 1$12001 461 1$1001-------$12001 700 1$aFUSERO,$bClemente$0133441 801 0$aIT$bsalbc$gISBD 912 $a990001609470203316 951 $aXIII.1.B. 635(Varie coll. 32/25)$b65384 L.M.$cVarie coll. 959 $aBK 969 $aUMA 979 $aSIAV4$b10$c20040427$lUSA01$h1517 979 $aCOPAT4$b90$c20041230$lUSA01$h1021 979 $aCOPAT5$b90$c20060515$lUSA01$h1204 979 $aCOPAT1$b90$c20070507$lUSA01$h1156 996 $aEleonora Duse$9944904 997 $aUNISA LEADER 00971nam--2200313---450- 001 990003299800203316 005 20090804132208.0 035 $a000329980 035 $aUSA01000329980 035 $a(ALEPH)000329980USA01 035 $a000329980 100 $a20090804d1963----km-y0itay50------ba 101 $aeng 102 $aUS 105 $aa---||||001yy 200 1 $aTheory of linear physical systems$etheory of physical systems from the viewpoint of classical dynamics, including fourier methods$fErnst A. Guillemin 210 $aNew York$cJohn Wiley$d1963 215 $aXVII, 586 p.$cill.$d24 cm 606 0 $aFisica matematica 676 $a530.15 700 1$aGUILLEMIN,$bErnst A.$0965 801 0$aIT$bsalbc$gISBD 912 $a990003299800203316 951 $a530.15 GUI$b4760/CBS$c530.15$d00325726 959 $aBK 969 $aSCI 979 $aRSIAV7$b90$c20090804$lUSA01$h1322 996 $aTheory of linear physical systems$91122835 997 $aUNISA LEADER 00910nam0-2200337---450 001 990008489970403321 005 20210524103210.0 010 $a0-12-348525-8 035 $a000848997 035 $aFED01000848997 035 $a(Aleph)000848997FED01 035 $a000848997 100 $a20070322d1998----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa-------001yy 200 1 $aEnvironmental soil physics$fDaniel Hillel 210 $aSan Diego$cAcademic Press$dc1998 215 $aXXVII, 771 p.$cill.$d27 cm 610 0 $aSuolo 610 0 $aFisica del terreno 676 $a631.41$v20$zita 676 $a631.43$v23$zita 700 1$aHillel,$bDaniel$0291114 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008489970403321 952 $a60 631.43 HILD 1998$b10704$fFAGBC 959 $aFAGBC 996 $aEnvironmental soil physics$9731014 997 $aUNINA LEADER 04326nam 22010814a 450 001 996248185003316 005 20240410062639.0 010 $a0-520-93795-3 010 $a1-282-76306-7 010 $a1-59734-842-2 010 $a9786612763069 024 7 $a10.1525/9780520937956 035 $a(CKB)1000000000024229 035 $a(EBL)223002 035 $a(OCoLC)475926909 035 $a(SSID)ssj0000231497 035 $a(PQKBManifestationID)11175164 035 $a(PQKBTitleCode)TC0000231497 035 $a(PQKBWorkID)10207679 035 $a(PQKB)11370344 035 $a(StDuBDS)EDZ0000084584 035 $a(MiAaPQ)EBC223002 035 $a(OCoLC)56733350 035 $a(MdBmJHUP)muse30484 035 $a(DE-B1597)519134 035 $a(DE-B1597)9780520937956 035 $a(Au-PeEL)EBL223002 035 $a(CaPaEBR)ebr10068555 035 $a(CaONFJC)MIL276306 035 $a(dli)HEB09028 035 $a(MiU)MIU01000000000000011661709 035 $a(EXLCZ)991000000000024229 100 $a20040217d2004 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe queer composition of America's sound $egay modernists, American music, and national identity /$fNadine Hubbs 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2004 215 $a1 online resource (295 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24184-3 311 $a0-520-24185-1 320 $aIncludes bibliographical references (p. 249-263), discography (p. 265), and index. 327 $aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). 330 $aIn this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification-especially with tonal music, French culture, and homosexuality-in the creation of a musical idiom that even today signifies "America" in commercials, movies, radio and television, and the concert hall. 606 $aMusic$zUnited States$y20th century$xHistory and criticism 606 $aNational music$zUnited States$xHistory and criticism 606 $aGay composers$zUnited States 610 $aamerica. 610 $aamerican culture. 610 $aamerican identity. 610 $aamerican music. 610 $aamerican sound. 610 $aart and music. 610 $abiographical. 610 $acomposers. 610 $afamous musicians. 610 $afrench culture. 610 $agay composers. 610 $agay modernists. 610 $agender identity. 610 $agender studies. 610 $ahistory of homosexuality. 610 $ahomosexuality. 610 $algbtq. 610 $amanhattan. 610 $amodern america. 610 $amusic and culture. 610 $amusic historians. 610 $amusic history. 610 $amusic students. 610 $amusic studies. 610 $amusicology. 610 $anational identity. 610 $anonfiction. 610 $aqueer studies. 610 $aself identification. 610 $atonal music. 615 0$aMusic$xHistory and criticism. 615 0$aNational music$xHistory and criticism. 615 0$aGay composers 676 $a780/.86/640973 700 $aHubbs$b Nadine$01019802 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248185003316 996 $aThe queer composition of America's sound$92406386 997 $aUNISA