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100   $a20160829d2007      uy              
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aMonteverdi's last operas : a Venetian trilogy
210   $aBerkeley, Calif. ;$aLondon $cUniversity of California Press$d2007
215   $a1 online resource (xxiv, 447 p.) $cill
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-520-24934-8 
320   $aIncludes bibliographical references and index.
327   $aOrpheus in Venice -- Discoveries and reception -- Sources and authenticity : three librettos -- Two scores -- Ancients and moderns -- A master of three servants -- Constructions of character -- The philosopher and the parasite.
330 8 $aEllen Rosand examines Monteverdi's celebrated final works 'Il ritorno d'Ulisse' (1640) and 'L'incoronazione di Poppea' (1642). Rosand considers these works as not merely a pair but consituents of a trio, a Venetian trilogy that, she argues, includes a third opera, 'Le nozze d'Enea' (1641).
606   $aOpera$y17th century$zItaly
615  0$aOpera
676   $a782.1092
700   $aRosand$b Ellen$0221187
801  0$bPQKB
906   $aBOOK
912   $a996248174603316
996   $aMonteverdi's last operas : a Venetian trilogy$92357051
997   $aUNISA