LEADER 04487oam 2200673I 450 001 996248139203316 005 20181122172220.0 010 $a0-367-31790-7 010 $a0-429-97702-6 010 $a0-429-96594-X 010 $a0-429-49739-3 010 $a1-283-27671-2 010 $a9786613276711 010 $a0-8133-4648-7 024 7 $a2027/heb07707 035 $a(CKB)2660000000000114 035 $a(EBL)746868 035 $a(OCoLC)558428546 035 $a(SSID)ssj0000333435 035 $a(PQKBManifestationID)11240044 035 $a(PQKBTitleCode)TC0000333435 035 $a(PQKBWorkID)10377812 035 $a(PQKB)11609032 035 $a(MiAaPQ)EBC5323382 035 $a(MiAaPQ)EBC746868 035 $a(OCoLC)1029236149 035 $a(FlBoTFG)9780429497391 035 $a(dli)HEB07707 035 $a(MiU)MIU01000000000000007183492 035 $a(EXLCZ)992660000000000114 100 $a20181122h20181995 uy 0 101 0 $aeng 135 $aur||| ||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScreening The Sacred $eReligion, Myth, And Ideology In Popular American Film /$fby Joel Martin 205 $aFirst edition. 210 1$aBoca Raton, FL :$cRoutledge,$d[2018]. 210 4$dİ1995. 215 $a1 online resource (209 p.) 300 $aDescription based upon print version of record. 311 $a0-8133-8829-5 311 $a0-8133-8830-9 320 $aIncludes bibliographical references and index. 327 $aContents; Preface; Acknowledgments; 1 Introduction: Seeing the Sacred on the Screen; Part One Theological Criticism; 2 Shall These Bones Live? The Problem of Bodies in Alfred Hitchcock's Psycho and Joel Coen's Blood Simple; 3 Angels in the Primum Mobile: Dimensions of the Sacred in William Kennedy's Ironweed, Novel and Film; 4 The Christian Allegorical Structure of Platoon; 5 Hollywood and Armageddon: Apocalyptic Themes in Recent Cinematic Presentation; Part Two Mythological Criticism; 6 Star Wars: A Myth for Our Time; 7 With Eyes Uplifted: Space Aliens as Sky Gods 327 $a8 Evolution of ""The New Frontier"" in Alien and Aliens: Patriarchal Co-optation of the Feminine Archetype Part Three Ideological Criticism; 9 Redeeming America: Rocky as Ritual Racial Drama; 10 From Revelation to Dream: Allegory in David Lynch's Blue Velvet; 11 Women Spoken For: Images of Displaced Desire; 12 Conclusion: Religion, Film, and Cultural Analysis; Notes and References; About the Book and Editors; Index 330 3 $aWhat are the religious impulses in the 1976 film Rocky, and how can they work to shape one's social identity? Do the films Alien and Aliens signify the reemergence of the earth goddess as a vital cultural power? What female archetypes, borne out of male desire, inform the experience of women in Nine and a Half Weeks?These are among the several compelling questions the authors of this volume consider as they explore the way popular American film relates to religion. Oddly, religion and film?two pervasive elements of American culture?have seldom been studied in connection with each other. In this first systematic exploration, the authors look beyond surface religious themes and imagery in film, discovering a deeper, implicit presence of religion. They employ theological, mythological, and social and political criticism to analyze the influence of religion, in all its rich variety and diversity, on popular film. Perhaps more importantly, they consider how the medium of film has helped influence and shape American religious culture, secular or otherwise.More than a random collection of essays, this volume brings to the study of religion and film a carefully constructed analytic framework that advances our understanding of both. Screening the Sacred provides fresh and welcome insight to film criticism; it also holds far-reaching relevance for the study of religion. Progressive in its approach, instructive in its analyses, this book is written for students, scholars, and other readers interested in religion, popular film, and the impact of each on American culture. 410 0$aATLA Special Series 606 $aMotion pictures$xReligious aspects 615 0$aMotion pictures$xReligious aspects. 676 $a791.43682 700 $aMartin$b Joel$01242258 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a996248139203316 996 $aScreening The Sacred$92881612 997 $aUNISA