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200 04$aThe Coen brothers Fargo /$fedited by William G. Luhr$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2004.
215   $a1 online resource (xiv, 162 pages) $cdigital, PDF file(s)
225 1 $aCambridge University Press film handbooks series
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-80885-5 
311   $a0-511-07803-X 
320   $a"Filmography of Joel and Ethan Coen": p. 151-155.
320   $aIncludes bibliographical references (p. 157-158) and index.
327   $tFargo in Context: The Middle of Nowhere /$rDavid Sterritt --$tMotherhood, Homicide, and Swedish Meatballs: The Quiet Triumph of the Maternal in Fargo /$rPamela Grace --$tFargo, or the Blank Frontier /$rChristopher Sharrett --$t"Kinda Funny Lookin": Steve Buscemi's Disorderly Body /$rMikita Brottman --$tFargo: Far Removed from the Stereotypes of ..." /$rWilliam Luhr --$tCloser to the Life Than the Conventions of Cinema: Interview with the Coen Brothers (conducted in Cannes on May 16, 1996) /$rMichel Ciment,$rHubert Niogret --$tCold-Blooded Scheming: Roger Deakins and Fargo /$rChris Probst --$tCarter Burwell in Conversation: Music for the Films of Joel and Ethan Coen /$rPhilip Brophy --$tReview of Fargo /$rThomas Doherty --$tPrairie Home Death Trip /$rHarvey Roy Greenberg.
330   $aFargo is the most commercially and critically successful film of Ethan and Joel Coen. Immediately recognized as an important work, it was nominated for five Academy Awards and received two, an exceptional achievement for a low budget, independently produced film without major stars. Fargo is also a film that explores middle-American themes and settings from an original and unsettling perspective, challenging traditional genre structures. This volume explores Fargo from a variety of methodological perspectives. Providing a detailed account of the film's production, reception and place within the career of the Coen brothers, it explores issues and themes that are important to current film discourse, including genre, gender and sexuality, race, history, culture and myth.
410  0$aCambridge film handbooks series.
676   $a791.43/72
702   $aLuhr$b William
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